Al Arabiya is calling it another "massacre." Quoting the opposition, they report that "scores of dead bodies were scattered in houses and in farms in al-Tremsa, while more than 150 dead bodies have been piled up in the al-Tremsa mosque."
Jewish settlers in the West Bank throw stones during clashes with Palestinians near the city of Nablus on May 19. A new report says violence by settlers directed at West Bank Palestinians is up sharply over the past three years.
Farming is the mainstay of the Palestinian communities around the West Bank village of Yanoun. Animals graze the land, and Palestinians make their living by harvesting citrus fruits and olives.
Last Saturday, Palestinians say, a group of Jewish settlers killed some of the sheep belonging to the Bani Jabr family. Palestinians say its part of a regular pattern of harassment in the area by settlers.
I rarely feel nervous before in-studio performances, but the June visit to KEXP by Will Oldham, a.k.a. Bonnie 'Prince' Billy, was an exception. Since emerging in his various "Palace" incarnations in the early 1990s, Oldham has been responsible for a dauntingly huge, rich, influential catalog of music. Yet Oldham acted so utterly at-home in our studio that I immediately relaxed and got lost in his playing.
"A fiasco with a great first half" is what I called Kenneth Lonergan's Margaret when it was dumped in one New York theater last fall, five years after it was shot, amid a legal battle between Lonergan and a producer.
Mont Blanc (Aris Servetalis) leads a group of people who offer a peculiar service: the replacement of departed loved ones. Imitating hairstyle and favorite quotes is normal, though some in his group go so far as to re-enact more private events.
Credit Kino Lorber
Monte Rosa (Aggeliki Papoulia) begins doing substitute work outside of the group, using her job to search for her own authentic relationship.
Alps, the tightly controlled burn from Dogtooth director Giorgos Lanthimos, begins with a simple image: a girl twirling a ribbon. Practicing her routine in a large gym, the rhythmic gymnast (Ariane Labed) moves powerfully, spinning and tumbling across the mats in choreography set to "O Fortuna." She finishes, but as she complains to her coach, a middle-aged track-suit-wearing type (Johnny Vekris), the routine just isn't working — she'd rather be doing a pop song. She's ready for pop, she insists.
Trishna (Freida Pinto) is the titular character in Michael Winterbottom's adaptation of <em>Tess of the D'Urbervilles,</em> which lends the novel's deteriorating romance a feeling of inevitability.
Credit Marcel Zyskind / IFC Films
Jay (Riz Ahmed) meets Trishna while sightseeing in her village and persuades her to move with him to Mumbai. A composite character created by Winterbottom, he's drawn from the two opposing love interests in Thomas Hardy's novel.
"Do you think you'll have to pay a high price for your mistakes?"
That line is spoken on an Indian game show watched by Trishna, the title character of Michael Winterbottom's subcontinental rethink of Thomas Hardy's Tess of the D'Urbervilles.
The penalties for mistakes on the game show are only monetary in nature, of course. For Trishna, the costs of her errors in judgment are measured on an entirely different scale. This being a Hardy story, you can count on this: They'll be high, and they'll be unpleasant.
Gabrielle de Polignac (Virginie Ledoyen, left) is the close, possibly intimate, friend of Marie Antoinette (Diane Kruger) — and the two are the bane of the approaching revolutionaries in <em>Farewell, My Queen</em>.
Credit Carole Bethuel / Cohen Media Group
Lea Seydoux stars as Sidonie Laborde, Marie Antoinette's reader, a job that entails entertaining the queen with novels and plays.
In 1995's A Single Girl, probably his best known film in the U.S., Benoit Jacquot tracks a young chambermaid through one workday as she ponders a big decision. The French writer-director's smart and ultimately wrenching Farewell, My Queen takes a similar course — only this time the protagonist toils for Queen Marie Antoinette, and the story opens on July 14, 1789.
Frederic Bourdin, played here by Adam O'Brian in a reenactment, is the subject of <em>The Imposter</em>, a movie about how the French-born Bourdin pretended to be missing Texan Nicholas Barclay, a boy six years younger.
On June 13, 1994, 13-year-old Nicholas Barclay went missing from his home outside San Antonio, Texas.
Nearly four years later, his family received a phone call from Linares, Spain, informing them that their son had been found, scared and confused; the U.S. Embassy made arrangements for the Barclays to reunite with him and bring him back home.
And that's exactly what happened: Nicholas' sister hopped on a plane, drove to the orphanage and embraced a reticent teenager who'd been changed profoundly by age and some unknown, unspeakable trauma.
In <em>Red Lights,</em> Simon Silver (Robert De Niro) is a psychic who comes out of retirement and poses a threat to two academics, Margaret Matheson (Sigourney Weaver) and Tom Buckley (Cillian Murphy), who are wary of all claims to the supernatural.
Credit Millennium Entertainment
Elizabeth Olsen plays Sally Owen, a student who quickly becomes part of Buckley's team, as well as his protege and lover.
Of all the hustlers who present cheap tricks as "magic," few are more shameless than filmmakers. Under the cover of "It's only a movie," directors and screenwriters exhort the gullible to believe in ghosts, telekinesis, extraterrestrials and such.