President Barack Obama talks on the phone with Solicitor General Donald Verrilli in the Oval Office, after learning of the Supreme Court's ruling on the "Patient Protection and Affordable Care Act," on Thursday.
The White House has released a picture of President Obama on the phone with Solicitor General Donald Verrilli in the Oval Office after hearing the health care news. Verrilli was the one who argued the case in front of the Supreme Court.
Here's the picture:
Obama looks rather relaxed. But both The New York Times and NBC News report that Obama, who received the news like most Americans, first thought his signature legislation had been declared unconstitutional.
The text notifications will be sent to those people within the location of the severe weather. The Weather Emergency Alerts could also be used for local emergencies that require evacuation, AMBER alerts and presidential alerts "during a national emergency," the Weather Service said.
This artist's rendering shows Chief Justice John Roberts (center) speaking at the Supreme Court on Thursday. From left are Justices Sonia Sotomayor, Stephen Breyer, Clarence Thomas, Antonin Scalia, Roberts, Anthony Kennedy, Ruth Bader Ginsburg, Samuel Alito and Elena Kagan. The court voted 5-4 to uphold President Obama's health care law.
Shock, dismay, relief, confusion — all those emotions played out Thursday when the U.S. Supreme Court announced its 5-to-4 decision to uphold almost all of President Obama's health care overhaul.
The ruling, with shifting majorities on different provisions and multiple dissents, covered close to 200 pages and provoked initial confusion. Both Fox News and CNN got it wrong, reporting at first that the individual mandate had been struck down. But when the dust cleared, the law labeled derisively by Republicans as "Obamacare" was largely intact.
Originally published on Mon August 20, 2012 10:35 am
Ben Howard is already a phenomenon in the UK. Word of mouth spread quickly after a series of performances around London and his native Devonshire and, after seeing him live, I can see why. He sang a handful of haunting folk songs, including standout "Depth over Distance".
In <em>Unforgivable</em>, <em> </em>Francis (Andre Dussollier) awakens to the tensions in his marriage to Judith (Carole Bouquet, far left) when his daughter, Alice (Melanie Thierry, far right), and granddaughter come for a summer visit.
Credit Strand Releasing
Judith and Francis marry quickly after first meeting — but then director Andre Techine skips straight to the marital strife that arises a year and a half later.
At first glance, the latest film from French director Andre Techine boasts all the titillating trappings of a neo-noir thriller: a missing girl, a private investigator, a seedy urban-European underbelly, a rich man suspicious of his beautiful younger wife. Yet Unforgivable, adapted from Philippe Dijian's best-selling novel, only masquerades as a story about crime. Instead, the film observes its subjects in the small moments of their daily lives, meditatively exploring the casual malice with which family and lovers fracture and finally break their closest relationships.
The parents of director Benh Zeitlin are folklorists, which is as good a way as any to account for the ambitions of his first feature, Beasts of the Southern Wild. The film is a mythic odyssey laced with modern ecological anxieties, captured in a free-form, image-driven narrative that recalls Terrence Malick's The Tree of Life. It's clear from the outset that Zeitlin aims to take the family folklore business to the next level.
In <em>People Like</em> <em>Us</em>,<em> </em>Sam (Chris Pine) connects with Frankie (Elizabeth Banks) and her son, Josh (Michael D'Addario), without telling them that he is their long-lost brother and uncle, respectively.
Credit Walt Disney Pictures
Sam also spends time reconnecting with his estranged mother, Lillian, played with total lack of vanity by Michelle Pfeiffer.
From two who brought us those sensitive little human dramas, Star Trek and Transformers, comes a sensitive, decent, well-crafted little drama about frailty and forgiveness.
No, really: In his first outing as a director, writer-producer Alex Kurtzman has filled in a heavily worn premise with wit, heart and — along with Roberto Orci and Jody Lambert — a lively way with ordinary speech.