Originally published on Sun August 4, 2013 6:20 pm
Berklee College of Music graduate Ali Amr grew up in the Palestinian territories, where music was literally what kept him off the streets. He's translated that into a prepossessing command of the 72-string instrument called the qanun, and at Berklee, he's found a way to blend it into in a fluid, jazz-based improvising context. Like Robert Glasper, Amr calls his hybridized band the Experiment; that word has a different connotation in his hands.
A guitarist who sounds like no other, Mary Halvorson can both astound and confound, with craggy phrasing, strange pitch-bends and pedal effects galore. With two quintet albums out and a septet record due soon, she's at Newport this year as a composer and bandleader too. Her quintet resembles certain classic Jazz Messengers lineups or Charlie Parker's working band, but her pieces take a few more left-hand turns. That keeps the proceedings good and weird.
The historic Michigan factory where the iconic Rosie the Riveter and thousands of other women built B-24 bombers during World War II could face the wrecking ball two months from now.
A modest nonprofit is trying to raise enough money to salvage some of the massive plant, which Ford sold to General Motors after the war. The Yankee Air Museum figures the factory is the perfect place to start anew, after a devastating fire destroyed its collections in 2004.
Originally published on Sun August 4, 2013 6:21 pm
Pianist Bill Charlap's trio is about as quintessentially "New York elegant" as it gets. At Newport, it's been drafted to accompany the reedman Bob Wilber, an esteemed elder who specializes in classic jazz styles. (You might specialize too if you were mentored by Sidney Bechet.) The presence of Newport favorite Anat Cohen makes this something of a clarinet summit: a refreshing little hint of traditional jazz at a festival that's become a lot about the modern lately.