Somewhere between Tim Robbins' angry assumption about his wife's pain pills and Pink's ecstatic-dance excursion with the guy from Book of Mormon, I realized that the dealing-with-addiction drama Thanks for Sharing really, really wanted to tell me everything it knows about life in recovery. As a critic, I've gotta acknowledge the problems that kind of crowding creates for a storyteller. As a person, I've gotta admire the generosity it bespeaks.
Originally published on Thu September 19, 2013 4:52 pm
Watch enough TV or movies these days, and you're likely to witness a throat getting slit. Not off-screen, or in a flash, but performed in full view of an unflinching camera. Call it authenticity, call it chutzpah or call it sadism, it takes only a few episodes of, say, Boardwalk Empire or Breaking Bad to realize that our visual storytellers are increasingly going for the gore.
Originally published on Sun September 22, 2013 7:27 am
Israeli director Eran Riklis often depicts characters separated by borders. In The Syrian Bride, a Druze woman leaves Israel to marry, knowing she can never return to visit her family; in Lemon Tree, a privileged Israeli woman and a disadvantaged Palestinian regard one another warily from opposite sides of the fence between free and occupied territory.
Zaytoun is different: This time, the director allows his characters to cross the frontier. That makes for a story that's sweeter, but also less convincing.
Originally published on Fri September 20, 2013 9:37 am
If anyone thought Denis Villeneuve's attacks on his favorite targets might be tempered by his move from the art house to Hollywood-thriller territory, Prisoners should shut that line of thinking down in a hurry.