The Seattle septet Hey Marseilles makes some of the most good-natured chamber-pop music around, led by the unmistakably kind voice of Matt Bishop. Naturally, given the band's size, Hey Marseilles gets to make the most of a wide array of warm sounds, from cello and viola to horns and accordions, but those ingredients are all wisely wrapped around songwriting that exudes sweet, hooky sunshine.
JD McPherson provides a refreshing reminder that retro roots music isn't timid: His debut album, Signs & Signifiers, synthesizes blues and rockabilly and old-school rock 'n' roll with an unmistakable punk spirit. Throughout the record, he finds the delicate balance between a classic, traditionalist sound and the understanding that the styles he's emulating are rooted in rebellion, menace and even danger.
The Boston band Kingsley Flood has spent the last few years polishing, refining and expanding its folk-rock sound, in the process incorporating horns, more strings and ever-brighter production. The sextet sounds more confident than ever on its new album, Battles, which continues to explore some of Kingsley Flood's favorite subject matter: the balance of hopes and dreams, expectations and the everyday.