A row of restaurants in the Cleveland Park neighborhood of Washington, D.C., looks tantalizing — there's Vietnamese, Italian, New American.
But if you walk around to the alley at the back of this row you might gag. Dumpsters packed with trash are lined up, and they get emptied only twice a week. Which means a lot of food sits here, filling the block with a deep, rank odor.
A grand bargain, a compromise to avert the so-called fiscal cliff, could all come down to one word: revenue. It's now widely agreed that steering away from the cliff — the combination of spending cuts and tax increases set to hit at the start of the year — will require some combination of revenue increases and spending cuts. The central sticking point could well be whether President Obama and Congress can agree on the definition of revenue.
At the moment, the casual observer could easily get the sense that the president and Republicans in Congress are talking past each other.
On Tuesday's Morning Edition, NPR's Neda Ulaby has a story about Chuck Lorre, the producer whose name is attached to three of the five highest-rated comedies on American television last season: The Big Bang Theory, Two And A Half Men, and Mike & Molly.
A new Indian feature film was inspired by a group of prisoners who formed a well-known classical dance company. Commentator Sandip Roy has the true story of a famous Indian dancer and the convicts she befriended.
Alokananda Roy walked into Calcutta's Presidency Jail on International Women's Day, 2007. The Indian classical dancer had been invited to watch female inmates perform, but it was the men who caught her eye.
"They shook me," she says. "Their body language — it was as though they had no future, nothing to look forward to."