The United States named its 19th poet laureate today: Natasha Trethewey, a professor of English and creative writing at Emory University in Atlanta. She is the nation's first poet laureate to hail from the South since the initial laureate — Robert Penn Warren — was named by the Library of Congress in 1986.
A gavel rests in a makeshift courtroom at Richmond High School in Richmond, Calif. The local school district has cut the number of student suspensions in half in six years by adopting a youth court program and other new discipline methods.
Robert, a talkative sixth-grader in the city of Richmond, has been suspended three times from his elementary school in the West Contra Costa Unified School District. If he gets suspended one more time, he says, he might get expelled. [NPR has withheld his last name because he is a minor.]
The Baker River is one of two waterways that would be dammed in a proposed hydroelectric project in the fabled Patagonia region of Chile. This section of the river would become a reservoir under the plan.
Credit Brian Lilla / First Run Features
Lalo Sandoval and his granddaughter Sara row the Baker River in Chile. Many of the residents of the Patagonia river valleys still travel via ox cart and small boat.
The way the Andes divide Patagonia, Argentina gets most of the land and Chile most of the water. As shown in Patagonia Rising, a new documentary, the landscape on Chile's side of the border is similar to coastal British Columbia or the Alaska panhandle: chilly, forested, mountainous and very wet.
A diminutive giant of the 1970s, Paul Williams composed some of the decade's sweetest and most enduring songs — including The Carpenters' "We've Only Just Begun" and "Rainy Days and Mondays," Helen Reddy's "You and Me Against the World," Three Dog Night's "An Old Fashioned Love Song," and "Rainbow Connection" for The Muppet Movie.
The once-penniless Georges Duroy (Robert Pattinson) maneuvers his way to the top of Paris society by wooing and bedding the city's best-connected women — among them the influential Madame de Marelle (Christina Ricci.)
Words, words, words: Novels, especially 19th-century ones, are full of the damned things, which can be an inconvenience for filmmakers doing adaptations.
Directors Declan Donnellan and Nick Ormerod, theater veterans making their cinematic debut with Bel Ami, try to downplay language, which seems a promising idea. But the strategy fails for several reasons, the foremost of which is their leading man.