If you listen to the music on Charmer, hearing Aimee Mann's vocals as just another lilting instrument, you'd probably think the album was just what the title suggests: a charmer. The melodies have an airy quality, at once floating and propulsive, and even without fixing on the words, you can hear that they're metrically precise, with carefully counted-out syllables and tight rhymes.
Originally published on Mon September 24, 2012 9:53 am
Let us say this first: As an actual determination of the utmost merit in television, the Emmy Awards are ridiculous and have been ridiculous for quite some time. Naming shows that the Emmys failed to take seriously is easy: The Wire, Buffy the Vampire Slayer, most of the run of Friday Night Lights and so forth. If you look to the Emmys to actually anoint the best show or the best performance, you will bawl your eyes out over and over, and also, anyone who watches very much television will make fun of you as a rube and a dupe. Is that blunt enough?