On Sunday, the annual Toronto International Film Festival came to a close after 11 days of screenings, meetings and, of course, parties. It's become an important place to kick off the fall film season. But this year, the festival wasn't only looking west to Hollywood — it was also sharpening its focus on the East, and the rise of new cinema from India, in particular.
One of the films at this year's Toronto festival was called Shanghai; it comes from Mumbai, and was directed by Dibakar Banerjee.
The city of Detroit is preparing for what could be the highest-profile public corruption trial in its history. Former Detroit Mayor Kwame Kilpatrick faces federal charges that he used city government to operate a widespread criminal enterprise.
In 2008, the then-mayor was embroiled in a scandal over racy text messages to his mistress, and his family was being pursued for interviews by what he labeled a white racist media. At the end of a televised State of the City address, before a handpicked crowd of supporters, Kilpatrick fired back at his critics.
Fans of Portlandia may recall a recent episode in which its main characters (played by Carrie Brownstein and Fred Armisen) get a good look at their new cleaning lady. They think the cleaning lady might be — and realize that it actually is — the singer-songwriter Aimee Mann.
As the 1970s punk scene was turning the corner into a new decade, Joe Jackson showed them the way with a pair of essential new wave albums, Look Sharp! and I'm the Man.
But as soon as fans thought they knew the angry young Brit with the sharp suits and even sharper commentary, Jackson changed. His Gershwin-esque piano music became huge hits in the '80s, but then he changed again.