Originally published on Thu August 2, 2012 6:32 pm
In his first campaign speech since returning from his trip abroad, Republican Mitt Romney on Thursday told an audience in the swing state of Colorado that President Obama has failed on the economy. And he wielded a scorecard to make his point.
"His policies have not worked," Romney said in Golden, Colo., outside Denver. "They have not gotten America back to work again. My policies will work."
Obama spent much of the day in battleground Florida before a planned evening trip to another swing state, Virginia.
Doug Quaid (Colin Farrell) visits Rekall, a company that implants memories in its customers, in an attempt to explain a series of recurring dreams. Farrell plays the role originally portrayed by Arnold Schwarzenegger in the 1990 film of the same name.
Credit Michael Gibson / Columbia Pictures
Lori (Kate Beckinsale) and Vilos (Bryan Cranston) are two enemies that come to light after Quaid visits Rekall.
Set in a high-tech yet shabby future, the remake of Total Recall is a fully realized piece of production design. But its script, credited to six authors, is more like a preliminary sketch.
Directed by Underworld franchise veteran Len Wiseman, the movie retains some elements of Paul Verhoeven's friskier (and more graphically violent) 1990 original. Yet it also makes lots of changes, notably by downplaying the brain-bending aspects of the scenario in favor of thought-free action. (Also, it never leaves a devastated Earth for Mars.)
Michael (Jude Law) and Rose (Rachel Weisz) are two of the many characters in <em>360</em>, a film about interconnected European lives from the director of <em>City of God</em> and <em>The Constant Gardener</em>.
Credit Phil Fisk / Magnolia Pictures
In another of the film's stories, Anthony Hopkins plays a man en route to Phoenix in search of his missing daughter.
For all the glum punditry about our brave new world of connected disconnection, there are endless possibilities for free play — though you'd never know it from the sorry crew of malcontents in 360, an ambitious post-millennial take on Arthur Schnitzler's La Ronde.
Originally published on Thu August 2, 2012 6:05 pm
Sushi: The Global Catch, a shrewdly constructed documentary on the challenges of the modern sushi industry, functions like a densely packed information delivery system — heavy on content, spare on style. Yet it offers a few striking images that speak for themselves: a commercial fishing vessel netting thousands of pounds of bluefin tuna, buyers for clients all over the world inspecting hundreds of tuna laid out in Tokyo's Tsukiji Market, a statue in the small fishing town of Oma depicting a large bluefin rising from the waves and, opposite, a pair of fists advancing to meet it.
Originally published on Wed January 22, 2014 3:33 pm
In May, JazzSet host Dee Dee Bridgewater emceed three nights of concerts held at the Kennedy Center's Terrace Theater as part of the Mary Lou Williams Women in Jazz Festival in Washington, D.C. Chihiro Yamanaka and Jane Bunnett opened the first night; they come from Japan and Canada, respectively, and each has a compelling story.