The distance between the movie sold by a trailer and the one you end up seeing is often as wide as that between the appetizing burger in the fast-food ad and the heat-lamped puck of sadness delivered to your tray. But in the case of Steven Soderbergh's latest, that expectation mismatch works in reverse: The advertising might make this look like a flimsy excuse to put a bunch of hunky guys onscreen in equally flimsy thongs, but Magic Mike turns out to be more complicated than its slick, vapid rom-com trailers would indicate.
In <em>People Like</em> <em>Us</em>,<em> </em>Sam (Chris Pine) connects with Frankie (Elizabeth Banks) and her son, Josh (Michael D'Addario), without telling them that he is their long-lost brother and uncle, respectively.
Credit Walt Disney Pictures
Sam also spends time reconnecting with his estranged mother, Lillian, played with total lack of vanity by Michelle Pfeiffer.
From two who brought us those sensitive little human dramas, Star Trek and Transformers, comes a sensitive, decent, well-crafted little drama about frailty and forgiveness.
No, really: In his first outing as a director, writer-producer Alex Kurtzman has filled in a heavily worn premise with wit, heart and — along with Roberto Orci and Jody Lambert — a lively way with ordinary speech.
The parents of director Benh Zeitlin are folklorists, which is as good a way as any to account for the ambitions of his first feature, Beasts of the Southern Wild. The film is a mythic odyssey laced with modern ecological anxieties, captured in a free-form, image-driven narrative that recalls Terrence Malick's The Tree of Life. It's clear from the outset that Zeitlin aims to take the family folklore business to the next level.