Anastasia Tsioulcas

Anastasia Tsioulcas is an Associate Producer for NPR Music. In this role she is responsible for producing, blogging and occasional reporting on classical and world music.

Tsioulcas is co-host of NPR's classical music blog, Deceptive Cadence, and also produces live concert webcasts, ranging from Member Station co-productions to other live concerts and special events, including Field Recordings and Tiny Desk Concerts, that she's helped curate and produce.

While here at NPR, Tsioulcas has produced, coordinated and reported on a variety of topics and initiatives including rallying a few hundred singers to Times Square for a "flash choir" to sing the world premiere of a new Philip Glass piece, commissioned by NPR Music. Tsioulcas also had the opportunity to speak with Pulitzer Prize-winning composer Steve Reich about his piece WTC 9/11 and she produced and co-hosted a live concert at (Le) Poisson Rouge with legendary conductor Daniel Barenboim and his West-Eastern Divan Orchestra, comprised of players from Israel and across the Arab world.

Prior to joining NPR in April 2011, she was widely published as a writer on both classical and world music, and was the former North America editor for Gramophone Magazine and the classical music columnist for Billboard. She has also been an on-air contributor to many public radio programs, including WNYC's Soundcheck, Minnesota Public Radio's The Savvy Traveler, Public Radio International's Weekend America, and the BBC's The World. As a world music journalist, she has reported from across north and western Africa, South Asia and Europe on the music and culture of those regions.

Born in Boston, Tsioulcas was trained from an early age as a Western classical violinist and violist. She holds a BA from Barnard College, Columbia University in comparative religion.

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Deceptive Cadence
1:32 pm
Thu April 17, 2014

Classical Quartet Gets All Twisted

Look, Ma! Behind our backs!
Courtesy of the artists

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Deceptive Cadence
10:14 am
Thu April 3, 2014

How Do You Sweep The Ivy League? Practice — The Viola. (Really.)

Was playing a much-maligned instrument — or writing about it beautifully — part of Kwasi Enin's secret? (Not that he is playing the 'Archinto' Stradivarius pictured here.)
Peter Macdiarmid Getty Images

By now, you may have heard about Kwasi Enin, the impressive young man from Long Island who has been accepted into the classes of 2018 at Brown, Columbia, Cornell, Dartmouth, Harvard, Princeton, the University of Pennsylvania, Yale (all eight Ivy League universities) as well as Duke and three campuses of the State University of New York.

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Music Lists
4:07 pm
Mon March 31, 2014

Latitudes: International Music You Must Hear Now

Sudanese singer Alsarah.
Jennifer Pritheeva Samuel Courtesy of the artist

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Deceptive Cadence
2:00 am
Thu March 27, 2014

The Kronos Quartet: Still Daring After All These Years

The Kronos Quartet (from left): David Harrington, John Sherba, Sunny Yang and Hank Dutt.
Jay Blakesberg Courtesy of the artists

Originally published on Mon March 31, 2014 11:18 am

Kronos Quartet is celebrating 40 years of playing music together — and to mark the occasion, they're playing a celebration concert at Carnegie Hall in New York tomorrow night. Since their founding, the San Francisco-based string quartet has become one of the most visible ensembles in classical music. The players have done it by championing new and underheard music, and by coming up with a business model that was unheard of for a chamber group four decades ago.

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Music
7:03 am
Wed March 26, 2014

A Field Recording Bonus Track: The Silk Road Swings

Sandeep Das, Shane Shanahan, Mark Suter and Joseph Gramley, percussionists in the Silk Road Ensemble, perform at ACME Studio in Brooklyn, New York, for a Field Recordings video shoot.
Mito Habe-Evans NPR

Originally published on Wed April 2, 2014 12:48 pm

We had so much fun taping cellist Yo-Yo Ma and the Silk Road Ensemble's Field Recording, we couldn't stop at just one selection, so we recorded the group's four talented percussionists in a deep groove.

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