Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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The Record
2:39 am
Fri February 21, 2014

Hearing Devotion In Pop's Details

Dan Reynolds of Imagine Dragons performs onstage at the Amnesty International Concert presented by the CBGB Festival at Barclays Center on February 5, 2014 in New York City.
Neilson Barnard Getty Images

Originally published on Fri February 21, 2014 10:08 am

This week, the rock band Imagine Dragons set a record for the longest run on Billboard's Hot 100 singles chart — 77 weeks, since it debuted in August of 2012.

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First Listen
10:03 pm
Sun February 9, 2014

First Listen: St. Paul And The Broken Bones, 'Half The City'

St. Paul and the Broken Bones' new album, Half the City, comes out Feb. 18.
David McClister Courtesy of the artist

Originally published on Wed April 2, 2014 1:08 pm

About a year ago, I saw St. Paul and the Broken Bones perform at a tiny club in Tuscaloosa, Ala., called the Green Bar. The Birmingham band's six members squeezed onto the stage, looking like ragtag school kids. Singer Paul Janeway, nerd-tastic in spectacles and a Sunday suit, unfurled a handkerchief. He started to croon, then shout and wail.

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First Listen
10:02 pm
Sun January 26, 2014

First Listen: Robert Ellis, 'The Lights From The Chemical Plant'

Robert Ellis' new album, The Lights From the Chemical Plant, comes out Feb.11.
Courtesy of the artist

Originally published on Tue February 11, 2014 10:13 am

The quality of mystery is undervalued in music these days. It's often mimicked via indecipherable lyrics, mumbled vocals or spooky sound effects, but that's not the real stuff. Rarely does anyone touch upon that delicate, open-ended state of unknowing that can descend on any given day, whether you're locked in a lover's embrace or just sitting in front of the television.

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The Record
10:09 am
Thu January 23, 2014

Hurray For The Riff Raff's New Political Folk

Hurray For The Riff Raff's Alynda Lee Segarra.
Joshua Shoemaker Courtesy of the artist

Originally published on Mon February 3, 2014 8:39 am

How many choruses does it take to turn a party song into an engine causing social change? Is it possible to honor American cultural traditions while dismantling the traps and habits that make them restrictive? Every so often a new voice engages these basic questions in subtle, exciting new ways. Alynda Lee Segarra, the 27-year-old guiding light of the New Orleans-based band Hurray For The Riff Raff, is this year's champion.

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First Listen
10:02 pm
Sun January 19, 2014

First Listen: Laura Cantrell, 'No Way There From Here'

Laura Cantrell's new album, No Way There From Here, comes out Jan. 28.
Amy Dickerson Courtesy of the artist

Originally published on Tue January 28, 2014 9:04 pm

"I'm under city lights, and it's all right," Laura Cantrell sings in one of the 12 deceptively lovely songs on No Way There From Here — her first album, besides a 2011 Kitty Wells tribute, in nine years. The line is about a love that thrives in spite of occasional separation; its story is typical of Cantrell's wry, wise viewpoint on feminine maturity. But it also says something about this Queens-based lover of vintage Nashville sounds.

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