Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

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Tiny Desk Concerts
7:03 am
Sat December 20, 2014

Lucinda Williams: Tiny Desk Concert

Susan Hale Thomas NPR

She came to the Tiny Desk a little unsure, and left singing "West Memphis" with intensity and passion. Lucinda Williams has a voice like no other, and it shines in these intimate moments.

Williams is on a roll with a new double album, Down Where The Spirit Meets The Bone, which is filled with fresh and beautiful songs — all this from a songwriter known for working at a deliberate pace. Hearing her perform these new songs with her brilliant band was a rare and exciting treat.

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All Songs TV
7:03 am
Wed December 17, 2014

Watch 'Road Dawgs,' A Mini-Documentary About Future Islands

Winners chronicles Future Islands' success following the band's performance of "Seasons (Waiting On You)" on Letterman.
Courtesy of the artist

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All Songs Considered
9:30 am
Tue December 2, 2014

Introducing Our Tiny Desk Concert Contest

Introducing our Tiny Desk Concert Contest.
NPR

Want to play a Tiny Desk Concert? Now's your chance: NPR Music and Lagunitas are holding a contest, and the winner gets to perform at my desk here at NPR headquarters in Washington, D.C.

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Tiny Desk Concerts
3:41 pm
Mon December 1, 2014

Sam Amidon & Bill Frisell: Tiny Desk Concert

Bill Frisell (left), Sam Amidon and Shahzad Ismaily perform a Tiny Desk Concert on Oct. 16, 2014.
Susan Hale Thomas NPR

Originally published on Sat December 6, 2014 4:08 pm

Sam Amidon takes traditional music and makes it his own. He might begin with a traditional murder ballad and then morph it into something of his own, fueled by Bill Frisell's languidly atmospheric guitar, Shahzad Ismaily's minimal but essential percussion and Amidon's own yearning voice. At other times, Amidon weaves his own new tunes into worn, weary, seemingly ageless sagas.

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