Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

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All Songs Considered
3:06 pm
Fri November 1, 2013

10 Memories Of Lou Reed

Christopher Felver CORBIS

Originally published on Fri November 1, 2013 3:31 pm

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Tiny Desk Concerts
1:05 pm
Mon October 28, 2013

San Fermin: Tiny Desk Concert

San Fermin performs at a Tiny Desk Concert on Sept. 19, 2013.
Abbey Oldham NPR

Originally published on Mon December 23, 2013 2:55 pm

San Fermin's music bursts with ambition, talent and extreme joy. Its self-titled debut is charged with great storytelling and amazing vocals by both Allen Tate and Lucius singers Holly Laessig and Jess Wolfe. Then there are the arrangements: little gems that turn these songs into cinematic vignettes using trumpet, sax, keyboard, violin, guitar and drums.

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All Songs Considered
4:04 pm
Sun October 27, 2013

Question Of The Week: What Does Lou Reed's Music Mean To You?

Matthew Peyton Getty Images

Originally published on Mon October 28, 2013 9:48 am

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Tiny Desk Concerts
4:12 am
Sat October 26, 2013

Typhoon: Tiny Desk Concert

Typhoon performs a Tiny Desk Concert in October 2013.
Meredith Rizzo Meredith Rizzo/NPR

Originally published on Mon December 23, 2013 2:57 pm

The appropriately named Typhoon is a sprawling band with an epic sound. The group from Portland, Ore. crafts rock anthems like emotional tidal waves, propelled by the stories of frontman Kyle Morton. His deeply personal tales are often full of grief and loss. But just as often they celebrate and praise life's simple wonders. Morton himself is a very grateful (and lucky) man who writes songs as if he were living on borrowed time.

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All Songs Considered
2:53 pm
Mon October 21, 2013

Question Of The Week: Are Concerts Too Loud?

Fans at this GWAR show from the Roseland Ballroom seem to have no problem with the volume.
Roger Kisby Getty Images

Originally published on Fri October 25, 2013 12:39 pm

Earlier this week we posted a poll asking whether you think concerts have gotten too loud, and whether you've started wearing earplugs at shows. After a week of voting, the results are in, and respondents have what seems to be a pretty clear message to clubs and concert venues: Turn it down!

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