Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

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All Songs Considered
1:42 pm
Mon December 3, 2012

Song Premiere: Kishi Bashi, 'It's Christmas, But It's Not White Here In Our Town'

Courtesy of the artist

Kishi Bashi, my favorite new artist of the year, now has a holiday song. It's such a great way to bring us back around to a musician I first discovered while sifting through 1,300 songs for the South by Southwest music festival back at the beginning of the year. We all ended up falling in love with his music.

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Tiny Desk Concerts
1:03 pm
Thu November 29, 2012

Taken By Trees: Tiny Desk Concert

Taken by Trees performs a Tiny Desk Concert on Oct. 12, 2012.
Lauren Rock NPR

Originally published on Thu December 26, 2013 3:19 pm

The power of Taken by Trees lies in understatement. Victoria Bergsman sings almost as if she doesn't care — but that contrast to almost every other singer I know is what makes me hear her words, and grants me space to think about her emotions. It's almost as if she etches the lines of a song and leaves listeners to fill in the rest.

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All Songs Considered
1:11 pm
Mon November 26, 2012

Question Of The Week: When Should You Start Playing Holiday Music?

Courtesy of the artist

Originally published on Tue November 27, 2012 3:39 pm

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All Songs Considered
5:34 pm
Wed November 21, 2012

Five Reasons To Visit Your Local Record Store On Black Friday

For just one day, let's pretend like it's 1967.
Ted Spiegel CORBIS

Originally published on Wed January 2, 2013 2:38 pm

If you're back in your old neighborhood this weekend or just need an excuse to get out of the house, Record Store Day is a pretty good option. The twice-annual event when independent record stores around the country offer brand new, reissued and limited-edition vinyl has become an opportunity for artists to find a home for that extra song that didn't fit anywhere or to put out that remix that was just plain odd.

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