Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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Movie Reviews
5:58 pm
Thu February 20, 2014

One Conflict, One Wall, Two Sides Of The Arab-Israeli World

Omar (Adam Bakri) is a Palestinian baker and secret informant who braves the wall that splits his community to visit his lover, Nadia (Leem Lubany) in the Oscar-nominated film Omar.
Adopt Films

Originally published on Tue February 25, 2014 4:27 pm

American art-house audiences are being offered an intriguing exercise in double vision over the next couple of weeks: two movies about Palestinian informants and their complicated relationships with Israel's secret service, one directed by a Palestinian, the other by an Israeli. Their similarities turn out to be nearly as intriguing as their differences.

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Movie Reviews
6:16 pm
Thu February 6, 2014

Plenty Of Heart, Not Much Art In 'Monuments Men'

Frank Stokes (George Clooney), Walter Garfield (John Goodman) and Sam Epstein (Dimitri Leonidas) are part of a World War II platoon ordered to rescue stolen art from the Nazis in The Monuments Men, directed by George Clooney.
Claudette Barius Courtesy of Columbia Pictures

Originally published on Fri February 7, 2014 8:04 pm

There's a fascinating tale to be told in The Monuments Men, George Clooney's new film based on the true story of a search for looted art stolen by the Nazis during World War II. In real life, with fighting still raging on the battlefields of Europe, a small team of art experts searched urgently for tens of thousands of missing paintings and sculptures. The movie's audience will search for something a little different.

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Movies
3:27 pm
Mon February 3, 2014

On Philip Seymour Hoffman, And His Many Appearances

Philip Seymour Hoffman at a screening of The Master, for which he was nominated for an Academy Award, during the 2012 Venice Film Festival.
Gabriel Bouys AFP/Getty Images

Originally published on Mon February 3, 2014 7:16 pm

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Movies
4:18 pm
Sun February 2, 2014

A Century Ago Today, Chaplin Made His Film Debut — In A Dud

Silent-film icon Charlie Chaplin, in character as the Little Tramp, takes aim with his walking stick circa 1925.
Edward Gooch Getty Images

Originally published on Sun February 2, 2014 5:42 pm

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Movie Reviews
5:18 pm
Thu January 30, 2014

At Home, With Mom And Her Murderous Beau

Depressed single mother Adele (Kate Winslet) and her son, Henry (Gattlin Griffith), give the wounded and desperate Frank (Josh Brolin) a ride, only to realize that Frank is an escaped convict being hunted by local police.
Dale Robinette Paramount Pictures and Indian Paintbrush

Originally published on Fri January 31, 2014 6:51 pm

So here's the setup: It's 1987. Frank, a convicted murderer, has escaped from a New Hampshire prison, and he's holding Adele, a fragile divorcee, and her 12-year-old son, Henry, captive in their own house until they eat his chili.

Turns out it's good chili — so good that it inspires Adele, whom the handsome convict has tied up very gently and tenderly, to reminisce about a conversation she and her son had about his sex education class. Seriously, it's some good chili. And did I mention that Frank is handsome?

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