David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

Pages

Movie Reviews
11:22 am
Fri July 27, 2012

Two Films Shoot Past Realism To Weirder Territory

A Dallas hard-luck case (Emile Hirsch, left) hires a corrupt cop (Matthew McConaughey) to kill his estranged mother when he hears about her rich insurance policy. Needless to say, the plot of Killer Joe doesn't quite work out as planned.
Skip Bolen LD Entertainment

Originally published on Fri July 27, 2012 2:12 pm

Amid the slapstick comedies, sequels and superhero movies that have come to define summer moviegoing, two films opening today center on disturbed and disturbing romantic ties. Ruby Sparks and Killer Joe aren't fantasy or horror pictures, but they're within screaming distance — close enough to remind you how much deeper artists go when they barrel past realism into weirder areas of the psyche.

Read more
Movie Reviews
4:55 pm
Wed July 18, 2012

As Class Warfare Brews, A 'Dark Knight Rises'

The Dark Knight Rises begins eight years after The Dark Knight, with Bruce Wayne (Christian Bale) living a reclusive life at his mansion alongside Alfred (Michael Caine). The movie is the finale of Christopher Nolan's Batman trilogy.
Ron Phillips Warner Bros. Pictures

Originally published on Fri July 20, 2012 10:54 am

The canvas is epic, the themes are profound, the execution is ... clunky. Welcome to Christopher Nolan's third and allegedly final Batman picture, The Dark Knight Rises — that so-called rising taking hours, by the way. No Batman film ever had less Batman.

Read more
Movie Reviews
4:03 pm
Thu July 12, 2012

'Margaret': The Tortured Journey Of A Girl, On Screen

Sarah Steele, Anna Paquin and Matthew Broderick in Margaret. The DVD release of Kenneth Lonergan's long-delayed second film includes the theatrical version and an extended 186-minute cut.
Fox Searchlight Pictures

Originally published on Fri July 13, 2012 11:56 am

"A fiasco with a great first half" is what I called Kenneth Lonergan's Margaret when it was dumped in one New York theater last fall, five years after it was shot, amid a legal battle between Lonergan and a producer.

Read more
Movie Reviews
10:06 am
Fri July 6, 2012

'Savages:' A Violent, Drug-Induced High

In Savages, the love triangle among Chon (Taylor Kitsch), O (Blake Lively) and Ben (Aaron Johnson) is disrupted when O is kidnapped by a Mexican cartel.
Francois Duhamel Universal Studios

Originally published on Fri July 6, 2012 10:57 am

Often I'm asked, "What's the worst movie ever made?" and I say, "I don't know, but my own least favorite is Oliver Stone's Natural Born Killers." The early script by Quentin Tarantino was heavily revised, and the final film became a celebration of serial killers, now existential heroes with absolute freedom. Beyond the bombardment that was Stone's direction, the worldview was abominable.

Read more
Movie Reviews
4:03 pm
Thu June 28, 2012

'Beasts': Taking Southern Folklore To The Next Level

Hushpuppy, the 6-year-old at the center of Beasts of the Southern Wild, is played by Quvenzhane Wallis, who was found by director Benh Zeitlin in a Louisiana elementary school.
Fox Searchlight

Originally published on Fri June 29, 2012 2:58 pm

The parents of director Benh Zeitlin are folklorists, which is as good a way as any to account for the ambitions of his first feature, Beasts of the Southern Wild. The film is a mythic odyssey laced with modern ecological anxieties, captured in a free-form, image-driven narrative that recalls Terrence Malick's The Tree of Life. It's clear from the outset that Zeitlin aims to take the family folklore business to the next level.

Read more

Pages