Ella Taylor

Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.

Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.

Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.

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Movie Reviews
4:03 pm
Thu December 11, 2014

The 1970s, Ugly And Adrift In 'Inherent Vice'

Joaquin Phoenix stars as Larry "Doc" Sportello รขย€ย” a private investigator with a pot smoking habit รขย€ย” in Inherent Vice, Paul Thomas Anderson's film adaptation of the novel by Thomas Pynchon.
Wilson Webb Warner Brothers Pictures

Paul Thomas Anderson probably wouldn't take kindly to being called a period filmmaker. And it's true that one of our finest pulse-takers of the American predicament is so much more than that. Anderson's movies track warped obsessives who come to define the particular times and places from which they get the tarnished American Dreams they pursue.

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Movie Reviews
4:03 pm
Thu December 4, 2014

A Claustrophobic 'Pioneer' From A Land Suddenly Grown Rich

Aksel Hennie and Wes Bentley star as offshore divers in Pioneer.
Magnolia Pictures

Originally published on Fri December 5, 2014 12:36 pm

Given the times, the Norwegian thriller Pioneer is hardly the first thriller in recent memory to delve into the poisonous fallout from a nation's suddenly acquired wealth. But it may be the first to conduct business from the floor of the noirishly cinematic North Sea, a roiling stretch of gray water where huge supplies of oil and gas were discovered off the coast of Norway in the 1980s. Trust me, this is not Bikini Bottom.

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Movie Reviews
4:03 pm
Thu November 13, 2014

In 'The Homesman,' A Most Unromantic American West

Hilary Swank and Tommy Lee Jones in The Homesman.
Dawn Jones Roadside Attractions

Hilary Swank is a real looker in ways that tend not to get her cast in what the industry is pleased to call "women's pictures." She has seized the day to snag all manner of bracingly offbeat roles, the latest being Mary Bee Cuddy, a bonneted Nebraska frontierswoman in The Homesman who keeps repeating that she's "plain as an old tin pail," a slur thrown her way by a heedless neighbor. No one wants to marry Mary, even though she's smart, resourceful, cultivated and โ€” like many who have suffered hurt early and often โ€” endlessly kind.

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Movie Reviews
1:03 am
Fri October 24, 2014

In 'Force Majeure,' Society Crumbles Under An Avalanche

Force Majeure follows the aftermath of a split-second decision made by a father during an avalanche.
Magnolia Pictures

Off to the side of the wickedly funny Swedish black comedy Force Majeure lurks a minor but significant figure with a sour, slightly saturnine face. The man is a cleaner in a fancy French Alps ski hotel and he hardly says a word. But his wordless hovering inspires dread, nervous laughter or both. Which pretty much sums up Force Majeure's adroit shifts of tone, and quite possibly its director's take on the ways of the hip urban bourgeoisie.

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Movie Reviews
4:03 pm
Thu October 16, 2014

Beauty And Loss In 'The Tale Of Princess Kaguya'

The Tale of Princess Kaguya.
Hatake Jimusho GNDHDDTK/Gkids

Originally published on Fri October 17, 2014 8:48 am

My first encounter with the lovely 10th-century Japanese folktale The Tale of the Bamboo Cutter was in the Sesame Street special Big Bird Goes to Japan. A kind and beautiful young woman named Kaguya-hime appears out of nowhere to take the Yellow One and his canine pal Barkley on a jaunt to Kyoto. They have fun, and then the mysteriously sad woman reveals that she is royalty in civilian dress and must return to her home on the moon. Bird and Barkley were marginally less inconsolable than were my toddler daughter and I.

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