Heller McAlpin is a New York-based critic who reviews books regularly for NPR.org, The Los Angeles Times, The Washington Post, The Christian Science Monitor, The San Francisco Chronicle and other publications.
Originally published on Tue October 14, 2014 12:43 pm
Did you know that the collective noun for a flock of parrots — akin to, say, a pride of lions — is a pandemonium? Apparently, Michele Raffin didn't know that either when she founded Pandemonium Aviaries — named instead for the chaotic, noisy nature of her "petulant psittacines" and "feathered vaudevillians." The apt name is characteristic of the serendiptious nature of what has turned out to be her life calling.
Colm Tóibín's writing is the literary equivalent of slow cuisine – and I mean that as a compliment. In this age of fast everything, sensational effects, and unremitting violence, he uses only the purest literary ingredients – including minutely focused character development and a keen sense of place — and simmers his quietly dramatic narratives over a low burner.
Originally published on Tue September 23, 2014 6:38 pm
What a treat it is to read Brian Morton's latest novel, populated with the prickly, civic-minded liberal intellectuals we've come to expect from him. Florence Gordon, his fifth book, like Starting Out in the Evening, his best known, is set on Manhattan's Upper West Side and concerns a feisty older writer and a much younger admirer and would-be mentee. Both novels not only feature curmudgeonly characters who insist on living on their own terms but explore questions about what constitutes a successful life.
One measure of a fine writer is the ability to master new tricks. Joseph O'Neill's new novel, The Dog, is a different animal (so to speak) from Netherland, his remarkable PEN/Faulkner Award-winner about a Dutch financial analyst adrift in New York in the aftermath of 9/11. Though both involve romantic estrangement in a globalized but alienating world, The Dog focuses more narrowly — and sometimes claustrophobically — on one man's hopeless, deluded efforts to live blamelessly in a distressingly mean-spirited, soulless society.
Originally published on Thu September 11, 2014 11:29 am
Add Marcos Giralt Torrente's Father and Son: A Lifetime to the shortlist of worthwhile memoirs about mourning a parent — a list that includes Philip Roth's Patrimony, Paul Auster's The Invention of Solitude, and Hanif Kureishi's My Ear at His Heart, all of which the author cites as touchstones for his exploration.