Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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Theater
4:44 am
Sun October 28, 2012

Star-Studded 'Heiress' Considers A Woman's Worth

Jessica Chastain makes her Broadway debut as Catherine Sloper in The Heiress. Chastain says she was moved by the arc of her character's story — initially defined by the men in her life, but ultimately finding strength in herself.
(c) 2012 Joan Marcus

Originally published on Sun October 28, 2012 9:58 am

A much-anticipated revival of The Heiress, a 1947 play based on the Henry James novella Washington Square, opens in New York on Thursday. It marks the Broadway debut of two accomplished young stars — Jessica Chastain, the Academy Award nominee from The Help, and Dan Stevens, from the hit television series Downton Abbey.

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Deceptive Cadence
1:03 am
Thu October 18, 2012

Philadelphia Orchestra Reboots With New Music Director

Yannick Nezet-Seguin leads the Philadelphia Orchestra.
Ryan Donnell

Originally published on Thu October 18, 2012 11:11 am

Everywhere you look right now, it seems like American symphony orchestras are fighting for their lives — strikes, lockouts, bankruptcy. Perhaps the biggest example is the world-renowned Philadelphia Orchestra, which is just coming out of its own bankruptcy. Tonight, its new 37-year-old music director takes the podium as the venerable orchestra begins a reboot.

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Deceptive Cadence
3:06 pm
Wed October 10, 2012

During Lockout Season, Orchestra Musicians Grapple With Their Future

The Minnesota Orchestra is one of many orchestras around the country dealing with labor disputes.
Greg Helgeson

Originally published on Thu October 11, 2012 12:05 pm

It's been a tumultuous time for American orchestras. Labor disputes have shut down the Minnesota Orchestra and Indianapolis Symphony, and strikes and lockouts have affected orchestras in Chicago, Atlanta and Louisville in the past year.

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Theater
2:33 pm
Tue September 18, 2012

Shorts Inspire Music In 'Sounding Beckett' Trilogy

In Ohio Impromptu, one of three short plays featured in Sounding Beckett, the silent character (Philip Goodwin, left, with Ted van Griethuysen) inspired music based on knocks and repetitions.
Jeremy Tressler Sounding Beckett

Originally published on Tue September 18, 2012 6:09 pm

It all began last year, when the Library of Congress presented Samuel Beckett's Ohio Impromptu alongside a piece of music by composer Dina Koston, which responded to the text. A New York group, the Cygnus Ensemble, played the music, while Washington, D.C., director Joy Zinoman staged the play, for one night only.

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Performing Arts
3:49 pm
Thu September 6, 2012

In New York, Two Big Arts Institutions Go Small

LCT3's Claire Tow Theater is a two-story structure built on a steel truss that straddles the roof of Lincoln's Vivian Beaumont Theater. Before or after performances, theatergoers can mingle over drinks at a roofdeck bar that overlooks Lincoln Center and the surrounding neighborhood.
Francis Dzikowski/ESTO Courtesy of H3 Hardy Collaboration Architecture

Originally published on Thu September 6, 2012 7:21 pm

Lincoln Center represents New York culture with a capital C. The Brooklyn Academy of Music, or BAM, across the river, has long presented scrappy alternative programming. But both recognize that to survive and thrive, they need to develop new works and new audiences.

Now, those two big artistic institutions have decided to go small. The Lincoln Center Theater and the Brooklyn Academy of Music have invested millions of dollars to fund new theater spaces for new work.

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