Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

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Music Reviews
1:18 pm
Thu March 6, 2014

Pharrell Williams: Just Exhilaratingly Happy

Pharrell, sporting more conventional headwear.
Mimi Valdés Courtesy of the artist

Originally published on Thu March 6, 2014 3:03 pm

Pharrell Williams, who frequently goes by just his first name, is the sort of pop star whom many people would like to view as a friend. Emerging from hip-hop, he makes charming recordings that suggest a deep appreciation of pop, soul and R&B music extending at least as far back as the 1960s. To hear Pharrell on his new album G I R L, you'd think his world consisted of grooving on catchy beats and flirting with women. It's a lightweight image that draws gravitas from his prolific work ethic and a shrewd deployment of those influences.

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Music Reviews
11:58 am
Mon March 3, 2014

Chuck Mead: Gleefully Sinister Country Serenades

Chuck Mead.
Courtesy of the artist

Originally published on Mon March 3, 2014 1:25 pm

In "Reno County Girl," Chuck Mead serenades us with a tale about a young woman with whom his narrator fell in love. It's a loping country song, Mead's version of cowboy music, but as its pretty melody unfurls, you realize that its scenario is bleak: Mead's character urged her to leave home despite the objections of her father, and it turns out Daddy was right — this guy leaves her all by her lonesome much of the time.

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Music Reviews
1:15 pm
Mon February 24, 2014

Vertical Scratchers: Slashed Chords, Fractured Poetry

Vertical Scratchers.
Joseph Amario Courtesy of the artist

The members of Vertical Scratchers don't have to pretend: They are free spirits, making music that is at once tightly composed, whimsical and anarchic.

The vocals on a Vertical Scratchers song tend to be high-pitched and yearning. John Schmersal creates harmonies from his vocal tracks that have a keening romanticism. His guitar lines are a series of slashed chords — vertical scratching, and thus the band's name. At the same time, there's a compressed intensity to the tunes, which uncoil with a snap, again and again.

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Music Reviews
3:13 pm
Wed February 12, 2014

Lake Street Dive: 'Portraits' Of Heartache

Lake Street Dive.
Jarrod McCabe Courtesy of the artist

Originally published on Wed March 19, 2014 9:21 am

Lake Street Dive is powered by the voice of Rachael Price; it's what hits you first when you listen to this quartet. It's a ringingly clear, strong voice, a sound that's at once beseeching and in control. Price regularly harmonizes with the other members of Lake Street Dive — bassist Bridget Kearney, drummer Mike Calabrese and Mike Olson, who also plays guitar and trumpet. But most of the songs on Bad Self Portraits are showcases for Price's surging vocals.

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Music Reviews
12:41 pm
Mon February 10, 2014

Hangin' Tuff: Eric Church Takes A Chance On 'The Outsiders'

Eric Church.
John Peets Courtesy of the artist

Eric Church is working on a level that few other country artists of his generation can touch. Now, one of the things I mean by that is that Church is willing to take big chances such as "The Outsiders," the title track from his fourth album, and clearly a manifesto he's proud of.

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