Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu June 14, 2012

Under His Parents' Shadow, Both On And Off Screen

In Americano, Martin (Mathieu Demy) goes on the road to Tijuana in search of Lola (Salma Hayek), who is supposed to inherit Martin's estranged mother's apartment.
MPI Media Group

Originally published on Fri June 15, 2012 4:34 pm

In his debut feature, Americano, writer-director Mathieu Demy casts himself as Martin, a brooding French real estate agent who travels to Los Angeles after his long-estranged mother dies. He plans to sell her apartment quickly — until he finds a letter in which she promises to leave the place to a friend, Lola. Martin can't locate the woman, but hears she may be in Tijuana.

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Movie Reviews
4:03 pm
Thu June 7, 2012

'Bel Ami': Period Drama Skips The Small Talk

The once-penniless Georges Duroy (Robert Pattinson) maneuvers his way to the top of Paris society by wooing and bedding the city's best-connected women — among them the influential Madame de Marelle (Christina Ricci.)
Magnolia Pictures

Words, words, words: Novels, especially 19th-century ones, are full of the damned things, which can be an inconvenience for filmmakers doing adaptations.

Directors Declan Donnellan and Nick Ormerod, theater veterans making their cinematic debut with Bel Ami, try to downplay language, which seems a promising idea. But the strategy fails for several reasons, the foremost of which is their leading man.

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Movie Reviews
4:03 pm
Thu June 7, 2012

In 'Patagonia,' Pristine Rivers And A Plan For Dams

The Baker River is one of two waterways that would be dammed in a proposed hydroelectric project in the fabled Patagonia region of Chile. This section of the river would become a reservoir under the plan.
Brian Lilla First Run Features

The way the Andes divide Patagonia, Argentina gets most of the land and Chile most of the water. As shown in Patagonia Rising, a new documentary, the landscape on Chile's side of the border is similar to coastal British Columbia or the Alaska panhandle: chilly, forested, mountainous and very wet.

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Movie Reviews
4:03 pm
Thu May 31, 2012

'Pink Ribbons,' Tied Up With More Than Hope

Participants at the 2010 Avon Walk for Breast Cancer, San Francisco, as seen in Pink Ribbons, Inc.
Ravida Din First Run Features

Provocative yet far from definitive, Pink Ribbons, Inc. is a critique of "breast-cancer culture." It could even be called a blitz on pink-ribbon charities and their corporate partners — though to use that term would be to emulate the war and sports metaphors the documentary rejects.

As one woman observes, describing the treatment of cancer as a "fight" or a "battle" suggests that the disease is always beatable if patients make a heroic effort. The implication is that people who die "weren't trying very hard."

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Movie Reviews
4:03 pm
Thu May 24, 2012

An Unlikely Friendship, Made For The Movies

Paralyzed after a paragliding accident, wealthy daredevil Philippe (Francois Cluzet) hires Driss (Omar Sy), a cocky ex-con, despite the concerns of his aides, including Yvonne (Anne Le Ny).
Weinstein Co.

During The Intouchables' opening sequence, a black driver takes a white passenger on a wild ride through contemporary Paris at speeds that attract the police. When pulled over, the motorist claims he's hurrying to the hospital, and his charge — who turns out to be quadriplegic — pretends to be having a seizure. After the cops depart, the two men share a laugh and a cigarette; then they roar off, blasting 1970s funk.

Driving Miss Daisy this ain't.

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