Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu March 20, 2014

Foreign Policy, With A Pugnacious French Twist

Arthur (Raphael Personnaz) is a new hire at the French Ministry of Foreign Affairs, where Alexandre Taillard de Worms (Thierry Lhermitte) is the eccentric foreign minister.
Courtesy of Sundance Selects

A frisky tour of the Gallic equivalent of the U.S. State Department, The French Minister boasts robust pacing, screwball-comedy banter and an exuberant central performance. For most American viewers, though, the movie could use footnotes to go with its subtitles.

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Movie Reviews
4:03 pm
Thu March 13, 2014

'Big Men,' Doing Big Business In Africa's Oil Fields

The big men at the center of Big Men are public, private and everything in between.
Jonathan Furmanski Abramorama

There are three categories of schemers in Big Men, Rachel Boynton's illuminating documentary about the oil business in West Africa: businessmen, politicians and bandits. Sometimes, though, it's hard to tell the types apart.

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Book Reviews
4:03 pm
Thu March 6, 2014

'300': An Empire Rises, Dripping In Gore And Glamour

The goth-glam Artemisia (Eva Green) is one of the more memorable characters in 300: Rise of an Empire — and not just because she's commander of the Persian navy.
Warner Bros. Pictures

Originally published on Fri March 7, 2014 8:21 am

Talk about meeting cute: The first time they're alone together, the protagonists of 300: Rise of an Empire rip each other's clothes off. But then Themistokles (Sullivan Stapleton) and Artemisia (Eva Green) can't decide if they want to make love or war.

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Movie Reviews
4:03 pm
Thu February 27, 2014

In 'Stalingrad,' Where The Fog Of War Is Plenty Thick

Teenage civilian Katya (Mariya Smolnikova) shares a ruined apartment with a gang of Soviet soldiers during the battle of Stalingrad in Fedor Bondarchuk's Stalingrad.
Sony Pictures

If you're only going to see one film about the Battle of Stalingrad — and there are many — Stalingrad would be the wrong choice. Russian director Fedor Bondarchuk's treatment of the World War II turning point is shallow and contrived, if sometimes impressively staged. The movie wins points, however, for sheer wackiness.

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Movie Reviews
4:03 pm
Thu February 20, 2014

Zola's Scandalous Raquin Clan, Sordid 'Secret' And All

Therese (Elizabeth Olsen) and Laurent (Oscar Issac) have a scandalous affair — and some real chemistry. But the unevenness of In Secret, adapted from Emile Zola's novel Therese Raquin, moves their plotline away from center.
Phil Bray Roadside Attractions

Emile Zola was one of the founders of naturalism, and his first major work, 1867's Therese Raquin, is full of precise physical description. The novel's plot is utter melodrama, though, and that's the aspect emphasized by In Secret, the latest in a century-long string of film and TV adaptations.

With its small cast of characters and limited number of locations, the book does lend itself to dramatization. In fact, writer-director Charlie Stratton's retelling of Zola's shocker was derived in part from the stage version by Neal Bell.

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