Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
5:02 pm
Thu January 9, 2014

In A Past-Plagued Laos, A Youth Chases A Future

Kia (Loungnam Kaosainam) and Ahlo (Sitthiphon Disamoe) bond when they encounter each other in a Laotian refugee village in The Rocket.
Tom Greenwood Kino Lorber

To help his struggling family and escape his own status as an outcast, a plucky young boy enters a competition. Yes, The Rocket is a sports movie, with an outcome that's easily foreseen. The cultural specifics of this Laos-set tale, however, are far less predictable.

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Monkey See
12:20 pm
Tue January 7, 2014

A Hong Kong Film Titan, With A Reach Well Beyond His Roots

Run Run Shaw, pictured with his wife and daughter in London, was knighted in 1978 for his philanthropic endeavors.
Central Press Getty Images

The Hong Kong entertainment magnate and philanthropist Run Run Shaw, who died today at 106 or 107, isn't that well known in the West. But his fans, from Quentin Tarantino to the Wu-Tang Clan, sure are.

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Movie Reviews
10:19 am
Mon January 6, 2014

From 'Cinema Paradiso' Director, An Offbeat 'Offer'

Geoffrey Rush plays an obsessive art auctioneer in The Best Offer, a mystery-cum-romance from the director of Cinema Paradiso.
Stefano Schirato IFC Films

A stylish if ultimately silly attempt to marry erotic puzzler and art-world critique, The Best Offer benefits from assured performances and an agreeably nutty Ennio Morricone score. The movie plays as if director Giuseppe Tornatore (best known for Cinema Paradiso) is doing all he can with a dubious script. But he's the one who wrote it.

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Movie Reviews
2:21 pm
Tue December 24, 2013

A Wall Street Predator With An Appetite For Excess

Leonardo DiCaprio plays a profoundly corrupt stock-market manipulator in The Wolf of Wall Street, based on the real-life story of convicted fraudster Jordan Belfort.
Mary Cybulski Paramount Pictures

Several times during The Wolf of Wall Street, the wolf himself turns to the camera and offers to explain some stockbroker term or strategy. But then he stops himself and says it doesn't really matter.

It sure doesn't — not in this exuberant but profitless bad-behavior romp. It's based on the career of former penny-stock magnate Jordan Belfort, but might as well be about Keith Richards in the '70s or Robert Downey Jr. in the '90s.

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Movie Reviews
4:01 pm
Thu December 19, 2013

'The Selfish Giant' Spins A Grim Modern Fairy Tale

Living in poverty and expelled from school, Arbor (Conner Chapman) turns to collecting scrap metal with a cart and horse in The Selfish Giant.
Agatha A. Nitecka Sundance Selects

Originally published on Thu December 19, 2013 6:08 pm

In Oscar Wilde's fairy tale The Selfish Giant, the title character brings eternal winter to his garden by banishing children from it. Writer-director Clio Barnard's film of the same name was inspired by Wilde's fable, yet is much different.

The original story was for kids; the movie is about kids, but its grim depictions of violence against innocents may be too harrowing even for some adults. Yet the movie is engrossing, and sure to linger long after its poignant culmination.

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