Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on the podcasts All Songs Considered and Pop Culture Happy Hour. In 2008, he and Bob Boilen created the weekly NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

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First Listen
10:01 pm
Sun July 20, 2014

First Listen: Tom Petty & The Heartbreakers, 'Hypnotic Eye'

Tom Petty & The Heartbreakers' new album, Hypnotic Eye, comes out July 29.
Mary Ellen Matthews Courtesy of the artist

Even when he was in his late 20s, Tom Petty had a curmudgeonly edge to him, so it's no surprise that he's sneering about threats to the American dream in the opening moments of his new album, Hypnotic Eye. At 63, Petty is well into his transition to full-blown misanthropy, at times splitting the difference between Randy Newman and Bob Dylan.

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Music
6:39 am
Fri July 18, 2014

At 2014's Newport Folk Festival, 5 Discoveries To Stretch Folk's Limits

If you look closely, Reignwolf's guitar is plugged in. Newport's 1965 crowd would not be pleased.
Dana Yavin

Originally published on Mon July 21, 2014 2:37 pm

From its legendary beachfront locale to its celebrations of folk music's past, the Newport Folk Festival draws on more than half a century of celebrated traditions. But it's also an event in which folk's boundaries are tested: This is, after all, where Bob Dylan famously plugged in an electric guitar 49 years ago, in the process enraging the purists in the crowd.

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All Songs Considered
6:03 am
Fri July 18, 2014

NPR Music Returns For 2014's Newport Folk Festival

Hurray For The Riff Raff performed at the 2013 Newport Folk Festival — and makes a return engagement this year.
Meagan Beauchemin NPR

Originally published on Fri July 18, 2014 10:39 am

The Newport Folk Festival has been around for more than half a century now — this is its 55th year, to be exact — and the event now routinely sells out months before its lineup is even announced. And why shouldn't it?

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All Songs Considered
11:03 am
Sat July 12, 2014

The Good Listener: Has The Term 'Indie Rock' Lost All Meaning?

If Arcade Fire sells gold and wins a Grammy for Album of the Year, is it still outside the mainstream?
Courtesy of the artist

We get a lot of mail at NPR Music, and alongside the flyers that either wildly underestimate or wildly overestimate our credit-worthiness is a slew of smart questions about how music fits into our lives — and, this week, thoughts on what constitutes "indie rock" in 2014.

Antfitgodd writes via Facebook: "The term 'indie' has been subsumed by major labels, whose acts often try to mimic indie-rock sensibilities — which changes what it means to play music that is not bland Top 40 drivel. Do you think 'indie rock' as a genre is dead?"

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