Music

Host Scott Simon speaks with New York Times classical music critic Anthony Tommasini about conductor James Levine's return to the Metropolitan Opera after a series of health problems kept him away for two years.

Ana Popovic's fiery technique on her Fender Telecaster has earned her an impressive nickname: "The Serbian Scorcher."

Popovic grew up playing the blues in Belgrade during the turbulent time of the fall of communism and the dissolution of Yugoslavia. Her furious fret work and singing brought her to the attention of blues fans, first in Europe and then the United States. She lives in Memphis today, and has just released her ninth album, Can You Stand the Heat.

In the seven years since her last album, Audra McDonald has kept busy. She spent several years in Hollywood, filming the television series Private Practice. She's gotten divorced and remarried, absorbed the shock of losing her father in a plane crash and watched her daughter, Zoe, grow up from a kindergartener to a middle-schooler.

Frightened Rabbit's Scott Hutchinson has been creating compelling, sometimes even uplifting, songs about abject failure since the Scottish band's first album, Sing the Greys, came out in 2006.

On this installment of World Cafe, Hutchinson tells host David Dye how the entire band was involved in writing lyrics for its new album, Pedestrian Verse. The singer also discusses Frightened Rabbit's unique experience during a recent tour of northern Scotland.

Rudresh Mahanthappa creates an explosive blend of South Indian classical music and progressive jazz. A Guggenheim Fellow who's been named the Jazz Journalists Association's "Alto Saxophonist of the Year" for four years running, Mahanthappa makes innovative music that reflects his experience as a second-generation Indian-American. He shares his fascinating style and story on this episode of Piano Jazz.

Carnal implications abound on "Sex Mission," a new techno track from the Brooklyn-based musician Laurel Halo. There's the not-exactly-subtle title, and the EP from whence it comes is called Behind the Green Door (out May 21), a nod to a ground-breaking porn flick from the 1970s. The music itself throbs like an accelerating heartbeat. A looped grainy sample — "be still" — conjures up an imaginary lover who's about to show you a really good time.