The sweaters are out, TV shows have resumed and actual referees are back on the field. The best music writing this week came to play, too, and had us feeling emotions. Dry news reports these aren't, revealing as they do the heady anticipation in front of a promising young musician, the craggy swirl of familial relationships and the rocky road of fandom.
Betto Arcos is the host of Global Village, a world music show on KPFK in Los Angeles, and a native of Xalapa, capital city of the Mexican state of Veracruz. He recently spoke with Guy Raz, host of weekends on All Things Considered, about son jarocho — a style of music played mostly in the south of his home state. He says the music is so vibrant because it comes from the Caribbean side of Mexico and has all the influences of that region: African, indigenous and Spanish.
Janis Martin was just a teenager from Virginia when she was christened "The Female Elvis." In the mid-1950s, she sold 750,000 copies of a song called "Will You, Willyum." She played the Grand Ole Opry, American Bandstand and The Tonight Show. But her fame was short-lived. Martin got married and had a baby, which didn't sit so well with the people managing her career. Her label dropped her, and she fell off the musical map.
In the early '90s, Ben Folds Five achieved underground success by playing the college circuit, selling out small clubs all across the country.
That all changed with the success of its 1997 album Whatever and Ever Amen. Its hit single "Brick" went to No. 6 on the Billboard Modern Rock Tracks list, only the second single in the band's history to chart.