Over the last few years, singer-songwriter Mary Chapin Carpenter's life has been drastically transformed. In 2007, she suffered a life-threatening pulmonary embolism, her marriage ended soon after and, in the fall of 2011, her father died.
After those experiences, she tells NPR's Neal Conan, grief became a companion — but also a guide, a presence that dictated her outlook on life. The Grammy-winning artist channeled those emotions into her latest album, Ashes and Roses.
Colombian superstar Juanes joined Tell Me More earlier this summer for a special in-studio performance. He talked about his decision to begin singing in English after years of dominating Latin music charts with Spanish songs. For the series "In Your Ear," Juanes shares some of the English-language songs that have inspired him over the years.
Pianist Cyrus Chestnut took his time making a name for himself on the jazz scene: For a decade starting in the mid-1980s, he apprenticed as pianist for Jon Hendricks, Betty Carter, Donald Harrison and Wynton Marsalis. But since then, he's toured the world and recorded 15 albums as a bandleader.
In this performance and interview, Cyrus describes his gospel roots and his discovery of jazz, and discusses how he approaches interpreting other composers' music.
The 007 theme is one of the most famous themes in movie history. The infamous guitar riff that gives the theme its secret agent feel was performed by Vic Flick, who spoke to Morning Edition about the day he played it, 50 years ago.
In 1962, Flick was a 25-year-old studio guitarist who was asked to help give the James Bond theme more of a punch. Composer Monty Norman, who wrote the theme, was scrambling to complete the score for the first Bond movie, Dr. No. He'd scratched out a rough draft of the theme, but Flick says it fell a little flat.