The Chandler Travis Three-O makes its first appearance on Mountain Stage. Pigeonholed as "avant-jazz omnipop," Travis' music might be described more accurately as the missing link between The Kinks and Captain Beefheart. The group provides elements of acoustic folk, jazz, psychedelia and pure absurdity — it's worth mentioning that half of the "Three-O" (which, naturally, is a quartet) changed into brightly colored pajamas during its second song.
From January 1992 to September 2001, Branford Marsalis set the JazzSet pace, hosting 39 new shows a year (now we do 26) from the Carnegie Hall Jazz Band; festivals in Iowa City, Telluride, Pasadena, Mount Hood, Montreal and Brevard, N.C.; the new music festival in Groningen, the Netherlands, and the Havana Jazz Festival in Cuba; clubs from Yoshi's in California to Sculler's and the Regattabar in Boston. WGBH producer Steve Schwartz sent us lots of Boston sets during that first decade, all of them much appreciated.
Originally published on Thu September 6, 2012 4:29 pm
In this installment of World Cafe's Latin Roots series, Raul Pacheco of the Grammy-winning band Ozomatli talks with host David Dye about how politics influence music. They've certainly affected Pacheco's music, as Ozomatli has been politically driven since its inception. The band's members started playing together 16 years ago, when they were working for the Peace and Justice Center of Los Angeles, and were asked to play for picketers during a strike.