Music

Deceptive Cadence
10:53 am
Thu July 3, 2014

After 36 Years, A Trumpeter Sounds His Last Note In New York

New York Philharmonic principal trumpeter Philip Smith plays at New York's Park Avenue Armory in a performance in June 2012.
Chris Lee Courtesy of the New York Philharmonic

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Marian McPartland's Piano Jazz
10:04 am
Thu July 3, 2014

Les Paul On Piano Jazz

Les Paul.
Amy Sussman Getty Images Entertainment
  • Listen: Les Paul On Piano Jazz

A phenomenal guitarist and pioneering audio engineer, Les Paul has been a major influence in 20th Century music, both as a performer and technical innovator. The guitar legend made a rare appearance on Piano Jazz, bringing with him his trio — Lou Paulo on guitar and Paul Nowinski on bass.

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Public Radio Jazz Live
9:36 am
Thu July 3, 2014

Newport Jazz 2011: Avishai Cohen's Triveni With Anat Cohen, Live In Concert

Avishai Cohen performs with his trio, Triveni, on the Harbor Stage during the Newport Jazz Festival.
Erik Jacobs for NPR

What is it with trumpeter Avishai Cohen and triples lately? He recently recorded a pair of albums with his band Triveni, a free-swinging trio which showcases his fervent imagination. He's also one of three Cohen siblings in jazz's top echelon; Avishai invited his big sister Anat, the celebrated clarinet specialist, to join him here.

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The Record
7:33 am
Thu July 3, 2014

The Hits Of Yesterday And Today

Paramore in April 2013, but the single hit radio in February and hasn't left since." href="/post/hits-yesterday-and-today" class="noexit lightbox">
Paramore's "Ain't It Fun" was originally released on Paramore in April 2013, but the single hit radio in February and hasn't left since.
Mike Coppola Getty Images

Originally published on Thu July 3, 2014 12:48 pm

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Favorite Sessions
7:03 am
Thu July 3, 2014

KCRW Presents: Fink

Fink live at KCRW's studio.
Larry Hirshowitz KCRW

For the past 15 years, Fink has been a solo project for Berlin-based songwriter Fin Greenall. But with his fifth album, Hard Believer, he enlisted the help of longtime friends Guy Whittaker and Tim Thornton to help him develop his new material. In part because each participant has a different musical background, the new songs sound especially varied and dynamic. As Greenall says, "They even taught me how to play live" — as you can see for yourself in this performance of "Looking Too Closely."

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