Grace Potter has been captivating audiences with her musical prowess for nearly a decade. Her talents are split between her impressive multi-instrumentalism, her impassioned singing and her energetic stage presence. Potter's band, The Nocturnals, forned after bandmate Matt Burr heard her play folk songs at a student-run venue. Coming out of Vermont with the 2005 debut Nothing But the Water, the band released the album independently before signing with Hollywood Records for a re-release.
Remember the interview with "sonochromatic artist cyborg" Neil Harbisson? He was born without the ability to see any colors at all, but his prosthetic eyepiece translates color into sound â€” and he has started reinterpreting music visually through his new perceptions of color, as in his painting based on Mozart's "Queen of the Night" aria.
Pianist Eddie Palmieri has been given many nicknames. He's been called The Latin Monk because of his Thelonious Monk-inspired dissonances. He's been called The Piano Breaker Man, because he hits the keys so hard. He's even been called the 'madman of Latin music.' He's taken many of the innovations of modern jazz pianists and brought them into his Latin bands. But he's never stopped playing good dance music.
In 1994, Palmieri's lobbying culminated in the announcement of a new Grammy Award category for Afro-Caribbean Jazz.
Many jazz musicians, the kind who wear jackets and ties on stage, are often carelessly referred to as playing bebop. In reality most of them are post-boppers, who build on that dynamic style that burst forth after World War II, without bringing it back in pure form. It's the rare modernist who gets an authentic bebop sound on alto saxophone, who catches some of the raw explosiveness and rapid-fire grace of jazz god Charlie Parker. And then there's Jesse Davis.