Music

Music Interviews
6:31 am
Sat November 30, 2013

Tony Joe White's Steamy 'Hoodoo' Rock

Originally published on Sat November 30, 2013 9:54 am

Even if you haven't heard of Tony Joe White, you've probably heard his music. His songs have been performed by Elvis, Ray Charles and Tina Turner. He's even been sampled by Kanye West. Host Scott Simon talks with White about his distinctive swamp rock sound, and his new album, Hoodoo.

Music Interviews
6:31 am
Sat November 30, 2013

Herb Alpert Steps Out With A Little Latin, A Little Piaf

Originally published on Sat November 30, 2013 9:37 am

Jazz legend Herb Alpert and his wife, Lani Hall, are both Grammy winners, and Alpert, who co-founded A&M Records, has sold over 75 million albums in a career that dates back to the late 1950s. They join host Scott Simon to talk about their new album, Steppin' Out.

Favorite Sessions
9:20 am
Fri November 29, 2013

KCRW Presents: Darkside

Nicolas Jaar of the duo Darkside performs live on KCRW.
Gregg Lewis KCRW

Originally published on Mon December 23, 2013 11:55 am

We were fortunate to welcome Darkside — a project comprised of producer Nicolas Jaar and multi-instrumentalist Dave Harrington — for their U.S. radio debut on Morning Becomes Eclectic. The duo had only played a handful of shows before arriving to KCRW, so we weren't sure what to expect. But it was immediately obvious that the project is rooted in live performance.

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Alt.Latino
8:03 am
Fri November 29, 2013

La Mera Mera: New Music From Peru, Colombia, Ecuador And More

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Movie Reviews
4:03 pm
Thu November 28, 2013

Silent For Years, A Riot Grrrl Steps Back To The Mic

Musician and riot grrrl Kathleen Hanna — formerly of Bikini Kill and Le Tigre, now with The Julie Ruin — is the fascinating central figure in the biographical documentary The Punk Singer.
Allison Michael Orenstein Opening Band Films

Originally published on Thu November 28, 2013 5:29 pm

To many baffled outsiders over 40, Bikini Kill frontwoman Kathleen Hanna was a weirdo riot grrrl bopping up and down onstage in her bra and panties, bellowing atonal revenge lyrics at anyone who'd keep her and her fellow women down.

To her ardent young following of 1990s Third Wave feminists, though, Hanna was an alt Messiah, hacking out a space for women in the punk-rock mosh pit and sounding an enraged alarm on behalf of victims of sexual assault.

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