We get a lot of mail at NPR Music, and amid the whale-sedatives we ordered to help us endure the Green Bay Packers' losing streak is a slew of smart questions about how music fits into our lives — and, this week, how to handle the desire to take a break from music.
When your first full-length album draws fans like ?uestlove of The Roots and Gilles Peterson from the BBC, you've probably hit on something special. That's just what Melbourne, Australia's Hiatus Kaiyote did with Tawk Tomahawk, a record that blends jazz and soul with warm vocals and fuzzy effects.
It's hard to keep your eyes off singer Nai Palm: She's a true original, as you can see in this live performance of "Nakamarra" as part of Hiatus Kaiyote's Morning Becomes Eclectic debut.
Originally published on Thu November 14, 2013 4:34 pm
Friday night at 1:45 a.m., at least a hundred people were on the main door line for Output, a dance club in Brooklyn that opened near the beginning of the year. They wouldn't be getting in for a while: the spot had reached capacity a half-hour before, shortly after the night's headliner, John Digweed, had begun his DJ set, and they were only letting in folks who'd bought tickets specifically for the show. "No wristbands," said the doorman. The wristbands were all-events passes for the sixth annual Brooklyn Electronic Music Festival (BEMF) — the nominal reason for Digweed's appearance.