Widely admired as a gifted and innovative player, jazz guitarist Jim Hall had a career that spanned more than five decades. In a session recorded in 2003, the NEA Jazz Master teamed up with host Marian McPartland and bassist Gary Mazzaroppi for "Blue Monk," and performed solo in "All the Things You Are."
Originally published on Mon January 27, 2014 8:24 am
Jitterbug Vipers' members perform 1930s-style "viper jazz" with a rock 'n' roll twist. The Austin band's original music — crafted by singer Sarah Sharp, guitarist Slim Richey, bassist Francie Meaux Jeaux and drummer Masumi Jones — recalls swing classics by Duke Ellington, Count Basie and Cab Calloway.
On this installment of Song Travels, you can hear Jitterbug Vipers perform a set live in the studio. Host Michael Feinstein also sits down with Sharp to discuss the history of viper jazz and the inspiration behind the band's sizzling original music.
Originally published on Tue January 28, 2014 9:11 pm
Actress' declarative 2008 debut Hazyville announced a new voice in underground British dubstep, at which point the electronic music producer (a.k.a. Darren Cunningham) began to push beyond the confines of that bass-heavy genre. By the time of 2010's Splazh, Actress was all but ignoring the tropes of dubstep, instead mincing modern R&B for a type of digital funk and Disclosure-esque vocal house (as in "Always Human") that delectably stayed just this side of abstraction.
Each year's Grammy Awards offer their own questions and controversies based on how the nominations pan out, but there are a few points of contention that come up year after year. There's the difference between Song Of The Year and Record Of The Year. How a song can be eligible for nomination this year when the album it came from was nominated last year (or vice versa). The precise eligibility requirements for Best New Artist, a category that can be (and has been) won by performers several albums into their careers.