Doom is as doom does. No matter how many sub-sub genre tags you put on it — blackened, atmospheric, sludge, bedazzled (okay, I made that up, but what if) — all descend from Black Sabbath. But you knew that. Doom thrives on repetition, in both its riffs and its tributes. The Salt Lake City doom-metal band SubRosa isn't out to reinvent the stone wheel, but it does offer a unique perspective by looking back to America's melancholic folk roots for something darker and more soulful.
Now we continue our Summer Songs series. Gwen Thompkins, the host of Music Inside Out on WWNO in New Orleans, is introducing us to a handful of contemporary artists who've taken some old classics out for a new spin. This week, she tells us about an unlikely pairing with New Orleans favorite Michael White.
Originally published on Thu August 22, 2013 12:21 pm
Tennessee native Valerie June feels a deep connection — if not a responsibility — to her home state's musical traditions, as she points to pioneers such as Memphis Minnie, Elvis Presley and Booker T. Jones. "I have a lot to live up to, being from Memphis," she says.
While touring in support of her new album, Pushin' Against a Stone (co-written and produced by Dan Auerbach of The Black Keys), June recently stopped by The Current's studios to perform a few songs, including "You Can't Be Told."
Originally published on Wed August 21, 2013 11:19 am
A young rapper from North Carolina, Rapsodydoesn't want to be labeled or limited as a woman in hip-hop; she wants you to know that she's as good as any of her male peers — and better than quite a few of them. With her newest project, She Got Game, Rapsody is in her own lane, one that skirts music industry norms for female musicians regardless of genre (read: bikinis, rescue fantasies, twerking).