An essayist, cultural theorist, novelist, educator and biographer who died on August 18 at 97, Albert Murray spent more than five decades developing his thesis that America is a culturally miscegenated nation. His contention was that blacks are part white, and vice versa: that both races, in spite of slavery and racism, have borrowed from and created each other. In all of his writing, jazz music — derived from the blues idiom of African-Americans — was the soundtrack at the center of his aesthetic conception.
The sight of saxophonist Joshua Redman raising his foot at the apex of a gritty solo has become common to Newport Jazz crowds — and always entirely welcome too. His latest record, Walking Shadows, is a collection of ballads, but this program from the main stage isn't quite so calm. Here's how the set began.
Musical performances may not be a completely auditory experience, according to a study published in the Proceedings of the National Academy of Sciences. Study author Chia-Jung Tsay discusses how visual cues can influence our judgments about music and other social settings.