Originally published on Wed October 2, 2013 4:46 pm
Rose Windows' debut album, The Sun Dogs, is steeped in '60s classic rock, recalling the heavy organ sounds of The Doors and the folk-infused flutes of Traffic. Formed in 2010 by songwriter Chris Cheveyo, the Seattle septet signed a label deal earlier this year, then put together an album that's layered with Middle Eastern influences.
Hear two songs from The Sun Dogs, a mellow combination of psychedelic folk and blues-rock instrumentation.
Clap your hands now! From Michel Camilo's stomping, tassled Oxfords to Esperanza Spalding's vibrating upright-bass strings and a whole lotta dancing, here's the 2013 Newport Jazz Festival forever enshrined in animated GIFs. See a gallery of Adam Kissick's pixel portraits here — and follow us on Flickr.
Country-music star Vince Gill and steel guitarist Paul Franklin have teamed up to record a new concept album called Bakersfield. Their idea is to cover hits from the 1960s and '70s by two artists who helped define the Bakersfield, Calif., country sound: Merle Haggard and the Strangers and Buck Owens and the Buckaroos. But this is no nostalgia-fest — it's a vital testament to music that retains energy and innovation.
Grammy-nominated singer-songwriter Alice Smith has managed to keep her music unique, despite pressure from music labels. She joins host Michel Martin for a special performance chat of her latest album She.
Originally published on Tue August 13, 2013 4:32 pm
In 2007, I was interviewed by a journalist over lunch a day before the premiere of my Violin Concerto. One of his first questions was, "So why do you write in these old forms, the symphony, the concerto ... ?" I told him that these were simply titles which imply nothing about the form, which was another thing entirely. But it led me to ask myself: What is a symphony these days? If it no longer comprises a four-movement structure with an energetic first movement, a slow movement, a scherzo, and some kind of quick rondo, then what exactly characterizes it?