This segment, from March 30, 2009, is part of our Vintage Cafe series, in which we revisit some of our best studio performances.
Wielding many instruments and a remarkable whistling ability, Andrew Bird has developed an offbeat marriage of classical and pop music over the course of his decade-long career. The musical polymath has never been one to limit his sound, incorporating traditional folk, swing, zydeco, rock, electronica and indie-pop into his work.
This week's two-hour mix from Metropolis host Jason Bentley features a new song from Phantogram, music from London's Metronomy, a Photek remix of Bob Marley & The Wailers, back-to-back cuts from Kaskade and much more.
It was a guest of honor DJ Cheryl Waters had been anticipating for 20 years: The Waterboys, a band currently celebrating its 30th anniversary despite frontman Mike Scott's insistence that he's only 24. The long-running group is on tour supporting its seven-CD collection, Fisherman's Box, which was inspired by the 1988 album Fisherman's Blues; the record marked Scott's relocation from Scotland to Ireland, and resulted in the most successful release of The Waterboys' long career.
This is FRESH AIR. At 44, the German tenor Jonas Kaufmann may be the most popular tenor of his generation and one of the most versatile. Music critic Lloyd Schwartz reviews two of his recordings this year, dedicated to both Verdi and Wagner, celebrating the bicentennials of their birth.
The Head and the Heart gives an enchanting performance, recorded in front of an enthusiastic audience at Philadelphia's World Cafe Live. The group's set features songs from its new record, Let's Be Still. The Seattle band recorded a successful, self-titled debut on its own in 2010; it was reissued the next year by Sub Pop during an indie-folk rampage led by Fleet Foxes, among others.