Music

All Songs Considered
3:38 pm
Thu November 15, 2012

First Watch: Miguel, 'The Thrill (Live)'

Courtesy of the artist

Originally published on Tue December 18, 2012 11:58 am

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Mountain Stage
3:22 pm
Thu November 15, 2012

The Lost Brothers On Mountain Stage

Brian Blauser Mountain Stage

Originally published on Fri November 16, 2012 9:27 am

The Irish indie-folk duo The Lost Brothers makes its first appearance on Mountain Stage, recorded live on the campus of Ohio University in Athens. Oisin Leech and Mark McCausland aren't actually brothers; they met nearly a decade ago, while they were both working with other bands in Liverpool. The two began writing songs together in their spare time, and liked the results so much that they decided to form a singing duo.

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Music Interviews
3:14 pm
Thu November 15, 2012

Ron Wood's Funky Contribution To The Stones Canon

Rolling Stones guitarist Ron Wood says 1980's "Dance (Pt. 1)," which he helped write, was designed to get people moving.
Michael Loccisano Getty Images

Originally published on Fri November 16, 2012 10:55 am

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World Cafe
2:53 pm
Thu November 15, 2012

Titus Andronicus On World Cafe

Titus Andronicus.
Kyle Dean Reinford

The New Jersey band Titus Andronicus doesn't shy away from big ideas: It's named for Shakespeare's first tragedy, and its last record (2010's The Monitor) is a concept album drawing on the history of the Civil War. The group's big, shambling rock 'n' roll doesn't mess around with the everyday, opting instead for life-and-death urgency.

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A Blog Supreme
12:11 pm
Thu November 15, 2012

The Jazz Side Of Thrill Jockey Records

The late saxophonist Fred Anderson recorded for Thrill Jockey with drummer Hamid Drake.
Jim Newberry Courtesy of the artist

Originally published on Thu November 15, 2012 3:24 pm

The Chicago-based record label Thrill Jockey, led by founder Bettina Richards, has been presenting music on its own terms since 1992. Like any great independent label, it's difficult to identify the core "sound" of its releases, but its fans can easily identify its curatorial spirit. This is by design. "The way I listen to music, there are no categorical limits," Richards says.

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