A lot can happen in six years. For Milwaukee-bred trumpeter Philip Dizack, it marked the passage of an era worth documenting in his own artistic chronology.
"End of an Era represents a moment when what you had is gone," he says about his new album during this session from WBGO's The Checkout. "For me, it's specific things like family relationships that ended. Both of my grandparents passed away. All those things were very personal, but I saw that everyone goes through something. And it's all the same."
Originally published on Fri December 14, 2012 4:06 pm
Country-music singer-songwriter and actor Dwight Yoakam blends several genres on his first album in five years, 3 Pears. Released last month, 3 Pears is full of surprises, jumping from Motown and soul to light pop and no-frills rock 'n' roll. Beck produced two of its tracks, while Kid Rock co-wrote the catchy lead single "Take Hold of My Hand."
In this World Cafe session, Yoakam performs four tracks from 3 Pears and sits down for a lengthy and at times emotional interview with host David Dye.
The Budapest String Quartet has always been my standard-bearer for chamber music. I grew up listening to their recordings, and especially admired not only their gorgeous sound, but also the uncanny interaction among all four players, even when there were changes in personnel. They had a way of playing as if they were speaking to each other, expressing deep and sometimes complicated feelings.
The Somali-born rapper and singer-songwriter K'Naan can sure pack a lot into a 3-1/2-minute pop song: clever wit, heartfelt angst, a hook you can't shake — and, in the new track "Hurt Me Tomorrow," honky-tonk piano. That's the sort of quirk that helped win K'Naan his earliest fans. All sorts of eccentricities survive on Country, God or the Girl, his most expansive and elaborately produced work to date. Mostly, though, the new album soars with pairings of sharp, confessional rap and catchy vocal hooks.