As the European editor of Rolling Stone, Jonathan Cott spent his time interviewing legendary musicians like Mick Jagger and Pete Townshend. But in 1968, he finally got the opportunity to meet his hero, John Lennon. Cott was nervous.
"He said, 'There's nothing to be nervous about,'" Cott recalls. "'It's going to be OK, and we're doing it together, and that's what really matters.'"
This year is the bicentennial of Richard Wagner's birth. The man widely called the greatest living Wagnerian tenor is marking the occasion in style — and asking listeners who may have turned away from the German composer to give his music another chance.
Every day at KEXP, we're witnesses to the gifts of musicians from around the world. On one balmy day in Seattle, the bluesy, hypnotic spirit of Sidi Touré brought something extraordinary, as he offered an intimate look into the spiritual influences that guided the creation of Koïma, his newest album.
Originally published on Fri February 15, 2013 6:23 pm
You hear some music you hate. That's fair. We all do on occasion. But can you learn to love — or at least not loathe — that music? Can you intentionally transform the visceral response you have to certain pieces and styles, or does that happen at some more incalculable, subtle level?
Researchers at Australia's University of Melbourne say that the more dissonance (which they describe as "perceived roughness, harshness, unpleasantness, or difficulty in listening to the sound") that we hear in music, the less we enjoy said music. Seems obvious enough, right?