In a way, singer Julianna Barwick's ethereal voice and seemingly shapeless songs are a form of abstract art: colorful and curious, with lines that drift and flow in unexpected but beautiful directions. For her latest video, and a new song called "Offing," Barwick finds commonality in architect Philip Johnson's Glass House and a strange sculpture from artist Ken Price. Barwick performs alongside the sculpture for a live audience, filling the Glass House with layers of her sublime voice.
It's Marches Madness! Throughout this month, we're posting some of our favorite marches — from the concert hall, opera stage and parade ground. Got one we should hear? Played any yourself? Let us know in the comments section.
Guitarist Alvin Lee, whose incendiary performance with the British band Ten Years After was one of the highlights of the 1969 Woodstock festival, has died.
He was 68. Lee's website says he "passed away early this morning [Wednesday] after unforeseen complications following a routine surgical procedure." An assistant to his daughter also confirmed the news to NPR.
His band's biggest hit — "I'd Love to Change the World" — came a couple years after Woodstock. We'll embed a clip from that.
For a party-friendly metal-punk band like Kvelertak, "Spring fra Livet" sure is a curveball. The stomping, AC/DC-style intro? That's a party-starter. But 20 seconds in, there's a twangy, melodic riff that sounds like an Allman Brothers-indebted '90s alt-rock band, like Better Than Ezra or Toad the Wet Sprocket or maybe just the Empire Records soundtrack — if the Empire Records soundtrack were about to lay into a blast-beaten chorus. Respectfully, Kvelertak, just what is going on here?