The pianist Orrin Evans splits much of his time between Philadelphia, where he grew up, and New York, a much larger jazz scene where he gigs often. A hard-charging player, seasoned with the harmonic touch of fellow Philadelphian McCoy Tyner, Evans is in high demand in a lot of places. Last year saw him release his 19th album as a bandleader or co-leader, Flip the Script. It's a trio recording, a format which both intimidates and excites him; here, he takes up the three-man challenge anew.
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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work at Artworld Salon and on his own site.
Originally published on Fri February 15, 2013 3:43 pm
In its quest to become the world's most brutal, ugly and offensive death-metal act, a young band should ask itself three questions: "How fast can the drummer blast-beat?" "How many unspeakable acts can we cram into three minutes, lyrically speaking?" "Are the riffs-per-second an accurate measure of how brutal we truly are?" I'm only sort of kidding. These exercises in ridiculousness are par for the course, though their excess is not unrewarded. Enter Wormed.
Originally published on Fri February 15, 2013 11:19 am
No matter what a certain television series tells you, Portland, Ore., isn't all that weird. Sure, we make great coffee, ride bicycles, eat organic food — and, yes, there are a lot of hippies and hipsters here. But Portland is much more than that.