Each fall, hundreds of little-known bands descend on New York City for the annual CMJ Music Marathon. As festivals go, it's one of the best for surprises, since so many of the acts are new and emerging. For the artists, it's a chance to be seen and heard and, hopefully, loved. For the rabid music fan or journalist, it's an overwhelming flood of musical discoveries.
The Tuscon, Ariz., band Calexico has made a career out of warping genres and musical traditions together into an eclectic, clever, original mix. Drawing upon jazz, alt-country, post-rock and a wide-ranging variety of Latin styles from mariachi to cumbia to Tex-Mex, Joey Burns and John Convertino (along with an ever-rotating cast of supporting players) have crafted a uniquely inclusive vision of indie-rock Americana.
Originally published on Wed October 24, 2012 12:15 pm
Roomful of Teeth is an exciting young vocal octet founded just three years ago and directed by Brad Wells. And if the group's name is a little, um, in your face, that's entirely intentional. Their eponymous debut album on New Amsterdam Records (funded via Kickstarter) is a thoroughly 21st-century re-imagining of a capella vocal music — experimental, multi-textured and more than ready to blur the lines between pop and art music.
Minnesota, a band featuring singer-songwriter Peter Himmelman, makes its first appearance on Mountain Stage, recorded live in Grand Marais, Minn., in partnership with the North House Folk School. Himmelman appeared on Mountain Stage many years ago — way back in 1992 and '93 — but this is his first outing with Minnesota.