Originally published on Wed October 31, 2012 4:06 pm
Michel Petrucciani was the first important jazz pianist I ever saw live. In retrospect, it's hard to believe that he would make it to Guéret, my tiny hometown in the middle of France. But in 1992, on a tour called "Like father like son" ("Tel père tel fils"), Petrucciani came to perform with his father, guitar player Tony Petrucciani.
Originally published on Tue October 30, 2012 3:04 pm
In the immediate wake of The Sex Pistols' dramatic 1978 breakup, John Lydon shed his "Johnny Rotten" persona and emerged with Public Image Ltd., a new band whose dark, strange sound defined the new direction the U.K. music scene would soon pursue. Post-punk — less a genre than a loose and eclectic coalition of arty, angry and cerebral aesthetic impulses — viewed the scorched-earth sonic violence of the 1977 punk explosion as fertile breeding ground for new sounds (a direct inversion of the Pistols' "no future" ethos).
Chris Hillman and Herb Pedersen make their second appearance on Mountain Stage, recorded live on the campus of the North House Folk School in Grand Marais, Minn. As members of The Byrds, The Dillards, The Flying Burrito Brothers and the Desert Rose Band, Hillman and Pedersen have been part of the fabric of American music for nearly half a century.