In a good jazz rhythm section, the players function independently and as one. Their parts and accents crisscross and reinforce each other, interlocking like West African drummers. Beyond that, the bass is a band's ground floor. When it changes up, the earth shifts under all the players' feet. From moment to moment, Linda Oh's bass prowls or gallops, takes giant downward leaps, or stands its ground.
Every July, fans of Latin alternative music gather in New York for the Latin Alternative Music Conference (LAMC) to see and hear their favorite bands and maybe catch a peek at artists who will become big stars.
For the third year, Alt.Latino is packing our bags for a week of panel discussions, musical showcases, and opportunities to meet and greet bands and industry folks.
The summer of 2012 marks the centennial of the birth of American folk icon Woody Guthrie, on July 14, 1912. A poet of the people, Guthrie wrote some of America's most important songs, including "This Land Is Your Land." He penned ballads that captured the heart of hard economic times and war.
While Guthrie left a lasting mark on music, culture and politics, he struggled with family poverty, tragedies and personal demons.
The barn reeked of mildew, wet wood in 90 degrees, an odious perfume with which I was familiar from a childhood in a Long Island canal town peppered with planked houses. I opened my instrument's case to see the hygrometer's needle stuck on the highest humidity level: assurance that my first professional-grade violin would not crack, or, to the great aural pleasure of Katja, my radiant Austrian stand partner with superb pitch, remain in tune.