The Tuscon, Ariz., band Calexico has made a career out of warping genres and musical traditions together into an eclectic, clever, original mix. Drawing upon jazz, alt-country, post-rock and a wide-ranging variety of Latin styles from mariachi to cumbia to Tex-Mex, Joey Burns and John Convertino (along with an ever-rotating cast of supporting players) have crafted a uniquely inclusive vision of indie-rock Americana.
Originally published on Wed October 24, 2012 12:15 pm
Roomful of Teeth is an exciting young vocal octet founded just three years ago and directed by Brad Wells. And if the group's name is a little, um, in your face, that's entirely intentional. Their eponymous debut album on New Amsterdam Records (funded via Kickstarter) is a thoroughly 21st-century re-imagining of a capella vocal music — experimental, multi-textured and more than ready to blur the lines between pop and art music.
Minnesota, a band featuring singer-songwriter Peter Himmelman, makes its first appearance on Mountain Stage, recorded live in Grand Marais, Minn., in partnership with the North House Folk School. Himmelman appeared on Mountain Stage many years ago — way back in 1992 and '93 — but this is his first outing with Minnesota.
Originally published on Tue December 11, 2012 2:26 pm
Alt-J (stylized as ∆) may be the most successful new British band of 2012 — a favorite to win the Mercury Music Prize in November and a Top 20 chart phenomenon in the U.K. The group, which chose its name from the mathematical symbol for change, made a splash with its debut album, An Awesome Wave, which came out in September. The record mixes upbeat indie rock and brooding synths with vocals that sound like no one else's in music today.
Certain episodes of Treme seem to wear their ideological hearts on their sleeves, and this was one. You open with Desiree's mother's house getting torn down in a city mix-up; you have Davis throwing around phrases like "preservation through neglect"; you see housing projects torn down amid protest with the implication of a corrupt deal; you get protagonists like the Bernette family being harassed by police; you witness clueless developers trying to build a national jazz center while waiting for the other shoe to drop.