The transporting music of Exitmusic is so grandiose, so romantically rich, it could easily envelop a concert hall or cavernous church. It's a beautifully buzzing mix of distorted guitars, synth pads and sparse electronic beats, all of which intermingle around Aleksa Palladino's alluring, heartsick voice like a swarm of bees in your chest.
"We had two shows that night," says Bobby Womack, recounting a recent concert in Houston. "It was a small theater, about 5- or 6,000 people. The second show, I was just out of it; they had to take me to the hospital."
It was a serious scare for the 68-year-old singer-songwriter — who has also lived through drug addiction and the deaths of two sons — and it didn't end that night.