Originally published on Thu August 22, 2013 2:40 pm
From January 1992 to September 2001, Branford Marsalis set the JazzSet pace, hosting 39 new shows a year (now we do 26) from the Carnegie Hall Jazz Band; festivals in Iowa City, Telluride, Pasadena, Mount Hood, Montreal and Brevard, N.C.; the new music festival in Groningen, the Netherlands, and the Havana Jazz Festival in Cuba; clubs from Yoshi's in California to Sculler's and the Regattabar in Boston. WGBH producer Steve Schwartz sent us lots of Boston sets during that first decade, all of them much appreciated.
Originally published on Thu September 6, 2012 4:29 pm
In this installment of World Cafe's Latin Roots series, Raul Pacheco of the Grammy-winning band Ozomatli talks with host David Dye about how politics influence music. They've certainly affected Pacheco's music, as Ozomatli has been politically driven since its inception. The band's members started playing together 16 years ago, when they were working for the Peace and Justice Center of Los Angeles, and were asked to play for picketers during a strike.
Ozomatli is a genre-spanning, Grammy-winning band whose sound draws from Latin influences like salsa and cumbia, as well as hip-hop, rock, reggae and funk. Its many members are political activists who met while working with the Peace and Justice Center of Los Angeles; their first performance was for picketers during a strike.
I recently listened to the first single from the new Cat Power album with some fellow fans, and the room was deeply divided. Some thought the song was fabulous, but others were startled and upset — which I could understand, sort of. Chan Marshall's songs generally speak to pain and trauma with a hushed and intimate musical vocabulary. But this song, "Ruin," was different — not just a rock 'n' roll song, but one you might even want to dance to.