The night ended with bumping beats down at Webster Hall's Studio space with the Ottawa-based Native collective A Tribe Called Red. The group calls its style "pow wow step" — an imaginative and dance-floor-ready blend of beats, aboriginal singing and dancing, and visuals and audio samples that turn "Indian" stereotypes on their heads. But the most memorable moments in the set come when A Tribe Called Red invites a dancer out to perform a traditional hoop dance, twisting and turning hoops into elegant and beautiful figures.
The soulful Persian classical virtuoso and composer Kayhan Kalhor has long been interested in creating artistic bridges to other musicians and styles, including in his work with Yo-Yo Ma's Silk Road Project and a long-term collaboration with the Indian sitarist Shujaat Khan.
Sweet and hot: That's the sound that French-born, Brooklyn-based guitarist Stephane Wrembel brought to his intimate early set in The Studio, globalFEST's smallest space. Wrembel specializes in jazzmanouche, or so-called "Gypsy" jazz — and his set with his quartet showed off the sparkling, speedy fingerwork already familiar to fans of Woody Allen, who has used Wrembel's music in his films Vicky Cristina Barcelona and Midnight in Paris.
Christine Salem Live From Webster Hall (full concert audio)
As the globalFEST evening wound down, much of the buzz about the biggest finds of the year centered on a seemingly unlikely figure: the vocalist Christine Salem, who made her New York City debut in this performance. Often, it's the artists who make 21st-century, Internet-ready musical hybrids that become the most talked-about GlobalFEST artists, but Salem presents the exact opposite model.