"Don't you want more than my sex?" is just one of many memorable lines on Tori Amos' 1992 album Little Earthquakes, jauntily tossed off in the cabaret singalong "Leather." But it encapsulates the challenge the singer-songwriter posed to the music world 20 years ago.
Originally published on Fri October 5, 2012 11:17 am
For conservatory-trained jazz musicians, it's a scary job market out there. Saxophonist Dave Liebman, an NEA Jazz Master and veteran statesman, paints a bleak picture:
In the current world of jazz education, the situation vis a vis graduating more and more of the most equipped musicians in history (every year more so) in stark contrast to the scarcity of paid performance and recording opportunities has assumed epic disproportion. To deny this would be like ignoring global warming. Serious educators are and should be concerned.